BA (Hons) Fine Art, Goldsmiths’ College, University of London

MA Fine Art, Chelsea College of Art, London

Artist in residence, Ruskin School, Oxford University, Oxford

(C) denotes that a catalogue was published in conjunction with the exhibition.

Matthew Marks Gallery, New York, USA

Giacometti / Warren - ASensitiv, Giacometti Institute, Paris, France (C)
She She, Galerie Max Hetzler, Berlin, Germany

The Now Voyager, Belvedere 21, Vienna, Austria (C)

V, Matthew Marks, New York, NY, USA
Radio Caroline, Window Gallery, Galerie Max Hetzler, Berlin, Germany

Souls, Maureen Paley: Morena di Luna, Hove, UK

Musée National Eugène Delacroix, Paris, France
Galerie Max Hetzler, Paris, France
Tout Ce Que Le Ciel Permet, Le Consortium, Dijon, France

Rebecca Warren: All That Heaven Allows, Tate St Ives, St Ives, Cornwall, UK (C)
Foundation Vincent Van Gogh Arles, Arles
Matthew Marks Gallery, Los Angeles, USA

The Main Feeling, Dallas Museum of Art, Dallas, USA

Why Do Birds Suddenly Appear? Matthew Marks Gallery, NY, USA
Galerie Max Hetzler, Berlin, Germany

Galerie Max Hetzler, Berlin, Germany
Museum Dhondt – Dhaenens, Ghent, Belgium

The Living, k.m, Kunstverein München e.V., Munich, Germany

Come Helga, This Is No Place For Us II, Maureen Paley, London, UK

The Renaissance Society at The University of Chicago, Chicago, USA
The Art Institute of Chicago, Chicago, USA

Feelings, Matthew Marks Gallery, New York, USA
Serpentine Gallery, London, UK (C)

Galerie Max Hetzler, Berlin, Germany
Matthew Marks Gallery, New York, USA

Pas de Deux, Matthew Marks Gallery, New York, USA
Galerie Daniel Buchholz, Cologne, Germany

Dark Passage, Kunsthalle Zurich, Zurich, Switzerland (C)
Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne, Germany

Donald Young Gallery, Chicago, USA
The Boiler Room, The Saatchi Gallery, London, UK
SHE, Maureen Paley, London, UK

Fleischvater, Modern Art, London, UK

The Agony and the Ecstasy, Maureen Paley, London, UK

Manliness without ostentation.., the Agency, London, UK

I Have Every Vice in the World, Dolphin Gallery, Oxford, UK

Wade Guyton and Rebecca Warren, The Raw and the Cooked: The Power of Transformation, Bechtler Stiftung, Uster, Switzerland

Glenn Brown and Rebecca Warren, Rennie Collection at Wing Sang, Vancouver, Canada

(C) denotes that a catalogue was published in conjunction with the exhibition.

Fergal Stapleton and Rebecca Warren, The Showroom, London, UK (C)

Rebecca Warren and Fergal Stapleton, Cleveland, London, UK

Rebecca Warren, Fergal Stapleton and Graham Gussin, Laure Genillard, London, UK

Retrospective: Your Mother, with Fergal Stapleton, 152c Brick Lane, London, UK

Angus Fairhurst, (co-curated with Urs Fischer), Sadie Coles HQ, London, UK

(C) denotes that a catalogue was published in conjunction with the exhibition.

Medardo Rosso: Inventing Modern Sculpture, Kunstmuseum Basel, Basel, Switzerland

Medardo Rosso: Inventing Modern Sculpture, Mumok Vienna, Austria
Josephsohn: Seen by Albert Oehlen, Musée d'Art Moderne (MAM), Paris, France

Still Life, Skarstedt, London, UK
Retinal Hysteria, Venus Over Manhattan, New York, USA
The Echo of Picasso, Museo Picasso Málaga, Málaga, Spain (C)
The Sainsbury Centre, Norwich, UK (on long term loan)
People, Modern Art, London, UK
Surface Works, Galerie Max Hetzler, London, UK

Elective Affinities, Magasin III Stockholm Konsthall, Stockholm, Sweden
Albert Oehlen - “Big Paintings By Me With Small Paintings By Others”, Museo d'arte della Svizzera italiana (MASI), Lugano
Breaking the Mould: Sculpture by Women since 1945, (touring) The Levinsky Gallery, The Arts Institute, University of Plymouth, Plymouth; Ferens Art Gallery, Hull; The New Art Gallery Walsall, Walsall (will travel from Djanogly Gallery, Lakeside Arts, University of Nottingham, Nottingham; Longside Gallery, Yorkshire Sculpture Park, Wakefield; (C)
Lives of an Object, ARCH, Athens, Greece
My Reflection of You, The Perimeter, London, UK
Sculpture, Skarstedt Paris, Paris, France

Albert Oehlen – "Big Paintings By Me With Small Paintings By Others", MASI – Museo d'arte della Svizzera italiana, Lugano, Italy
Breaking the Mould: Sculpture by Women since 1945, Longside Gallery, Darton; Yorkshire Sculpture Park, Wakefield; Djanogly Gallery, Lakeside Arts, University of Nottingham, Nottingham; (will travel to The Levinsky Gallery, The Arts
Institute, University of Plymouth, Plymouth; Ferens Art Gallery, Hull; The New Art Gallery Walsall, Walsall) (C)
Lives of an Object, ARCH, Athens, Greece
Mirrors and Windows, Sammlung Philara, Düsseldorf, Germany
Pietro Consagra, The Giancarlo and Danna Olgiati Collection, MASI Lugano, Lugano, Switzerland
Flames, The Age of Ceramics, Museum of Modern Art, Paris, France

A Little After The Millennium, Gallery Baton, Seoul, Korea
00’s. Cranford Collection: the 2000’s, MO.CO., Hôtel des collections, Montpellier, France
Frieze Sculpture 2020, Regents Park, London, UK

Installationen Aus 25 Jahren Sammlung Falckenberg, Sammlung Falckenberg, Hamburg, Germany
Barbara Hepworth, The Hepworth Wakefield, Wakefield, UK
Objects of Wonder – from Pedestal to Interaction, ARoS Kunstmuseum, Aarhus, Denmark
The Hepworth Wakefield Garden, The Hepworth Wakefield, Wakefield, UK
Objects of Wonder: British Sculpture 1950s to Present, Palais Populaire, Berlin, Germany

Trance, Aishti Foundation, Antelias, Lebanon
Generations Part 3, Sammlung Goetz, Munich, Germany
Death is Irrelevant, Hudson Valley Moca, Peekskill, New York, USA
A TIME CAPSULE: Works Made by Women for Parkett, 1984 – 2017, Parkett Exhibition Space, Zurich, Switzerland
Elisabeth Frink: Humans and Other Animals, Sainsbury Centre for Visual Arts, Norwich, UK
Knock Knock: Humour in Contemporary Art, South London Gallery, London, UK
Approaching the Figure, Skarstedt, New York City, USA
Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK; travelling to Pallant House, Chichester, UK, and The Fitzwilliam Museum, Cambridge, UK (C)
Rebecca Warren – Anna Fasshauer – Michail Pirgelis, Kunstverein Reutlingen, Reutlingen, Germany
Exchanges, Whitworth Art Gallery, The University of Manchester, UK
ISelf Collection: Bumped Bodies, Whitechapel Gallery, London
Profound Identities: Beauty and Subjugation from The Goss-Michael Collection, Goss-Michael Foundation, Dallas

Trisha Donnelly, Vincent Fecteau, Peter Fischli David Weiss, Nan Goldin, Martin Honert, Michel Majerus, Paul Sietsema, Rebecca Warren, Matthew Marks Gallery, New York, USA
Aging Pride, Galerie Belvedere, Vienna, Austria
Rachel Whiteread, Tate Britain, London, UK
Für Barbara, curated by Leo Koenig, Hall Art Foundation I Schloss Derneburg, Derneburg, Germany
CORPUS: The Body Unbound, The Courtauld Gallery, London, UK
THE GAP BETWEEN THE FRIDGE AND THE COOKER, The Modern Institute, Glasgow, UK
Disobedient Bodies, curated by JW Anderson, The Hepworth Wakefield, Wakefield, UK

Open Windows – Reflections on Beuys, Sexauer Gallery, Berlin, Germany
The Body Extended: Sculpture and Prosthetics, Henry Moore Institute, Leeds, UK
Night in the Museum: An Exhibition from the Arts Council Collection, curated by Ryan Gander, Long Side Gallery, Yorkshire Sculpture Park; travelled to The Gas Hall, Birmingham Museum and Art Gallery, Birmingham, UK; The Attenborough Centre, Leicester UK
Conversation autour d’une collection, Collection Jocelyne et Fabrice Petignat, Villa Bernasconi, Lancy, Switzerland
la mia ceramica, Galerie Max Hetzler, Paris
Notes On Gesture – I, II, III, Curated by Jeremy Millar, Siobhan Davies Studios, London, UK
Unfinished: Thoughts Left Visible, Metropolitan Museum of Art at The Met Breuer, New York, USA (C)
Matthew Marks Gallery, New York, USA

Sculpture: Muñoz, Schütte, Trockel, and Warren, Skarstedt, New York, USA
10 Sculptures, Matthew Marks Gallery, Los Angeles, USA
Summer Exhibition 2015, Royal Academy of Arts, London
Plasters: Casts and Copies, The Hepworth Wakefield, Wakefield, UK
ArtZuid, International Sculpture Route, Amsterdam, The Netherlands (C)
La Peregrina, curated by Jenny Saville for ‘Rubens and His Legacy’, Royal Academy, London, UK

She, List Art Center, Brown University, Providence, USA
Cast From Life, Skarstedt Gallery, NYC, USA
Summer Group Exhibition, Matthew Marks, LA, USA
Then and Now, Galerie Max Hetzler, Berlin, Germany
The Human Factor: Uses of the Figure in Contemporary Sculpture, Hayward Gallery, London, UK
Albert Oehlen Talking about Painting, Museum Folkwang, Essen, Germany
Cool Place, Sammlung Scharpff, Kunstmuseum Stuttgart, Stuttgart, Germany
Love Story, The Anne & Wolfgang Titze Collection, 21er Haus and the Winter Palace, Vienna, Austria
In der Wohnung, curated by Fredi Fischli, Albert Oehlen and Niels Olsen, Gebert Foundation, Rapperswil, Switzerland
Somewhat Abstract, Nottingham Contemporary, Nottingham, UK

REMEMBER EVERYTHING 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany (C)
Albert Oehlen, Markus Oehlen, Joyce Pensato, Matthias Schaufler, John Sparagana, Rebecca Warren, Galerie Max Hetzler, Berlin, Germany
Riotous Baroque. From Cattelan to Zurbarán – Tributes to Precarious Vitality, Guggenheim Museum Bilbao, Spain. Curated by Bice Curiger
From Figuration, Skarstedt Gallery, London, UK
V22 Collection Show, V22 Workspace London, UK

Matthew Marks Gallery, Los Angeles, USA
To Hope, To Tremble, To Love: Works From the DRAF Collection, The Hepworth Wakefield, Wakefield, West Yorkshire, UK
The Space Between, Tate Britain, London, UK

Camulodunum, Firstsite, Essex
ILLUMInations, 54th Venice Biennale, Venice, (C)
Lustwarande ’11 – Raw, Park De Oude Warande, Tilburg, The Netherlands
Modern British Sculpture, Royal Academy of Arts, London, (C)
Shape Of Things To Come: New Sculpture, Saatchi Gallery, London, (C)
The Collectors Show, Van Abbemuseum, Eindhoven, The Netherlands
Zabludowicz Collection in Venice, Venice

The Contemporary Figure, Donald Young Gallery, Chicago
The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai
Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Vestfossen, Norway
Statuesque, City Hall Park, New York
SV10: Members’ Show, (Selector), Studio Voltaire, London

Accrochage, Galerie Max Hetzler, Berlin
Classified, Tate Britain, London
DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool
Donald Young Gallery, Chicago
British Council Collection: The Third Dimension, Whitechapel Gallery, London

The Vincent Award 2008, Stedelijk Museum CS, Amsterdam, (C)
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, (C)
Donald Young Gallery, Chicago
Origins, Hudson Valley Centre for Contemporary Art, New York

Makers and Modelers, Gladstone Gallery, New York
No Room for the Groom, Herald St, London, curated by Gregorio Magnani
The Third Mind, curated by Ugo Rondinone, Palais de Tokyo, Paris
Unmonumental, The New Museum, New York
Five Works in Bronze, Matthew Marks Gallery, New York

Toutes Compositions Florales, Counter Gallery, London
Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago
flutter, The approach, London
If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London
The Turner Prize, Tate Britain, London, (C)
Tate Triennial, Tate Britain, London (C)
China Art Objects Galleries, Los Angeles

Drunk vs. Stoned, Gavin Brown’s Enterprise, New York
Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006) (C)
Trumpets of Justice, Counter Gallery, London, UK
The British Art Show 6, Hayward Gallery Touring exhibition (C)
Translations, Thomas Dane, Karsten Schubert – Curator, London

Sculpture, Precarious Realism between the Melancholy and the Comical,
Kunsthalle Vienna, until February 2005 (C)
Strange, I’ve seen that face before, Gallery of Modern Art, Glasgow
Collage, Bloomberg Space, London

Frass, 153-155 Grays Inn Road, London
Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca
Warren, Matthew Marks Gallery, New York
Still Life, Museo Nacional de Bellas Artes, Santiago, Chile, Museo Alejandro Otero, caracas, Venezuela, Buenos Aires, Argentina, Centro Cultural, Parque de Espana, Rosario, Argentina, Biblioteca Luis Angel Arango, Bogota, Colombia
4 Old Works, 56a Clerkenwell Road, London

The Galleries Show, Royal Academy of Arts, London, (C)
Summer Exhibition 2002, Royal Academy of Arts, London, (C)

Neon Gallery, London
Tattoo Show, Modern Art, London
New Labour, Saatchi Gallery, London, (C)

Limitless, Galerie Krinzinger, Vienna, Austria, curated by Matthew Higgs
Day of the Donkey Day, Transmission, Glasgow
It’s a Curse it’s a Burden, The Approach, London, curated by Glenn Brown

Root, Chisenhale Gallery, London, (C)
The Kindness of Strangers, W139 Gallery, Amsterdam (C)
Craft, Richard Salmon, London (travelled to Kettles Yard, Cambridge), (C)
BANK, Institute of Contemporary Art, London

Martin, Commercial Gallery and 146 Brick Lane, London Class Vegas, The Embassy, London
Material Culture; Sculpture from the 80s and 90s,
Hayward Gallery, London (C)

Light, Richard Salmon, London (travelled to Spacex Gallery, Exeter), (C)
Happy Shopper, Elephant & Castle Shopping Centre, London
Dog U Mental VIII, BANK, London
Berlin Art Fair, Berlin
NIS Project at world PC Expo, Tokyo
On Camp/Off Base: Pimple Life, Tokyo Big Sight Exhibition Centre, Tokyo, (C)
Out of Space, Cole and Cole, Oxford
Fuck Off, BANK, London, (C)
Disneyland After Dark: La Ronde, Kunstlerhaus Bethanien, Berlin, (C)
I Beg to Differ, Milch, London

Happy Squirrels Club, BANK, Eindhoven, The Netherlands.
Model Home, PS1, The Clocktower Gallery, New York, USA
The Meaning of Life.., Art Node Foundation, Sweden
The Meaning of Life.., parts 1 & 2, CCA, Glasgow, Scotland
Cocaine Orgasm, BANK, London, (C)
Disneyland After Dark: La Ronde, Konstmuseum, Uppsala, Sweden, (C)
Insignificance, the Agency, London, (C)
Stockholm Art Fair, Sweden

Miniatures, the Agency, London
Destroy All Monsters, The Tannery, London
MIND THE GAP.., Acud Galerie, Berlin, Germany
MIND THE GAP.., Hardcopys und technologische Bilder, Galerie/Edition, Voges & Deisen, Frankfurt, Germany

Whitworth Young Contemporaries, Manchester

Giacometti / Warren, ASensitiv, FAGE éditions, Lyon, France

Ed. Köhne, Axel; Rollig, Stella; Rebecca Warren: The Now Voyager, Walther Koenig, 2022

All That Heaven Allows, Rebecca Warren, Tate Publishing, Fuel, London, UK

The Living, Maureen Paley, Max Hetzler, Matthew Marks, Fuel, London, UK

Rebecca Warren. Every Aspect of Bitch Magic, Fuel, London, UK
Rebecca Warren, Galerie Max Hetzler, Holzwarth Publications, Berlin, Germany

Rebecca Warren, Serpentine Gallery, London, UK; Koenig Books, New York, NY, USA

Rebecca Warren, Kunsthalle Zürich, Zürich, Switzerland

Luckow, Dirk, Falckenberg, Harald, Counter Culture. 25 Years Sammlung Falckenberg. Objects and Installations, Snoeck, 2020, p. 84

Liz Rideal and Kathleen Soriano, Madam and Eve: Women Portraying Women, Laurence King Publishing, 2018, p. 61.

Mecugni and Basualdo, Embracing The Contemporary, The Keith L. and Katherine Sachs Collection, Philadelphia
Museum of Art, 2016, pp. 258-259

Body of Art, Phaidon, p. 91
Van Tuyckom-Taets Collection, Leo Van Tuyckom, Brussels, Belgium, pp. 218-219
Glenn Brown – Rebecca Warren, Rennie Collection at Wing Sang, Vancouver, Canada

The Human Factor: Uses of the Figure in Contemporary Sculpture, Hayward Gallery, London, UK

REMEMBER EVERYTHING 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany
Riotous Baroque. From Cattelan to Zurbarán – Tributes to Precarious Vitality, Guggenheim Museum Bilbao, Spain

Camulodunum, Firstsite, Essex, UK
The Shape Of Things To Come: New Sculpture, Saatchi Gallery, London
Modern British Sculpture, Royal Academy of Arts, London,
ILLUMInations, 54th Venice Biennale, Venice, Italy

Statuesque, City Hall Park, New York, USA

The Vincent Award 2008, Stedelijk Museum CS, Amsterdam, The Netherlands
Martian Encyclopaedia of Terrestrial Art, Barbican Art Gallery, London

The Turner Prize, Tate Britain, London,
Tate Triennial, Tate Britain, London

Body: New art from the UK, The British Council, Manchester
The British Art Show 6, Hayward Gallery, London

Sculpture, Precarious Realism between the Melancholy and the Comical, Kunsthalle Vienna, Austria

The Galleries Show, Royal Academy of Arts, London
Summer Exhibition 2002, Royal Academy of Arts, London

New Labour, Saatchi Gallery, London

Root, Chisenhale Gallery, London
The Kindness of Strangers, W139 Gallery, Amsterdam, The Netherlands
Craft, Richard Salmon, London, UK

Fergal Stapleton and Rebecca Warren: the unadorned hardcore world of the anabolic mutant in stir: the child ain’t right, The Showroom, London, 1997
Material Culture; Sculpture from the 80s and 90s, Hayward Gallery, London

Light, Richard Salmon, London, UK
On Camp/Off Base: Pimple Life, Tokyo, Japan
Fuck Off, BANK, London, UK
Disneyland After Dark: La Ronde, Kunstlerhaus Bethanien, Berlin, Germany

Cocaine Orgasm, BANK, London, UK
Insignificance, the Agency, London, UK

Jones, Jonathan, A sculptural whirlwind lands in Yorkshire and butterfly wings hit the canvas – the week in art, theguardian.com, 1 September 2023
–––, Fluxus Art Projects announces 2023 laureates, artreview.com, 17 February 2023

–––, Blau International Magazine, No. 7, (Front Cover, Interview) October 2022
–––, Rebecca Warren: The Now Voyager – Announcements, e-flux.com, 27 July 2022
McGregor, Amanda, Bold, colorful new public art installations come to College Hill, brown.edu, 26 July 2022
–––, New Ferens exhibition set to break the mould, hullccnews.co.uk, 28 June 2022
Elliott, Martha, Russell Tovey and Alexander Petalas’ personal art collections prompt reflection in London, wallpaper.com, 5 May 2022

Angelini, Francesca, Things to do in the week ahead: the best dance, theatre, comedy, podcasts and more, thetimes.co.uk, 15 April 2021.
Block, Louis, Rebecca Warren: V, brooklynrail.org, June 2021.
Chou, Irene, ‘Large Concretised Monument to the Twentieth Century,’ newest installation on College Green, browndailyherald.com, 3 June 2021.
Fateman, Johanna, Rebecca Warren, newyorker.com, April 2021.
Neumann, Dietrich, Letter: How we choose Brown’s public art, browndailyherald.com, 29 September 2021.
Taplin, Robert, Making Modernism Her Own: Rebecca Warren at Matthew Marks, artcritical.com, 8 April 2021.
Tovey, Russell and Diament, Robert, talk ART, Octopus Octopus Publishing Group Ltd, 2021, pp. 102-103, 199, 221.
–––, HAPPENINGS, palmbeach.floridaweekly.com, 10 June 2021.
–––, Home is Where the Art Is, jupitermag.com, 26 May 2021.
–––, ‘Large Concretised Monument to the Twentieth Century’ installed on Brown’s College Green, brown.edu, 19 May 2021.
–––, Rebecca Warren, Tout Ce Que Le Ciel Permet, Catalogue Perpétuel, No. 3, Consortium Museum, Dijon, France, May 2021, pp. 187 - 205.
–––, Rebecca Warren: V at Matthew Marks Gallery, New York, artefuse.com,8 May 2021.

Barylski, Nicole, INTERVIEW: Per Skarstedt On Skarstedt Gallery’s New Hamptons Outpost, hamptons.com, 3 July 2020.
Bashir, Basharat, Barbara Hepworth: Artist and Artwork, thekashmirimages.com, 15 November 2020.
Burns, Anna, Going bananas in lockdown: photographer Jenny van Sommers’ fruit obsession, theguardian.com, 15 June 2020.
Carney, James, This is what will be on at The Hepworth Wakefield when it reopens on Yorkshire Day, wakefieldexpress.co.uk, 23 July 2020.
Cole, Alison, Martin Bailey – The Art Newspaper’s correspondent – awarded MBE in Queen’s Birthday Honours list, theartnewspaper.com, 9 October 2020.
Landes, Jennifer, Skarstedt’s New Gallery in Town on Newton, easthamptonstar.com, 16 June 2020.
Mitchell, Rory, Maureen Paley: A Trailblazing Gallerist, ocula.com, 19 June 2020.
Rea, Naomi, What’s Happening for Frieze Week in London Without the Frieze Fairs? Quite a Lot, as It Turns Out, news.artnet.com, 20 August 2020.
Vakil, Iman, Frieze Week Introduces New format For 2020, harpersbazaararabia.com, 8 October 2020.
Vanhorne, Jose S., Who is Barbara Hepworth? Google honors sculptor Hepworth with new Doodle, lintelligencer.com, 25 August 2020.
Veiga, Marcia, Outdoor UK art exhibitions worth entertaining this autumn, thespaces.com, 24 September 2020.
Westall, Mark, Breaking the Mould: Sculpture by Women since 1945, fadmagazine.com 24 February 2020.
Willis, Samantha, Frieze Sculpture’s outdoor art has taken over Regent’s Park again, timeout.com, 7 October 2020.
–––, All the best events to get excited about this month, tatler.com, 7 October 2020.
–––, Frieze Sculpture Returns to Regent’s Park this October, frieze.com, 18 September 2020.
–––, Frieze Sculpture Garden To Go Ahead Despite Fair’s Cancellation, 24 September 2020.

Freeman, Nate, Basquiat Leads £93.2 Million Sotheby’s Sale of Contemporary Art, artsy.net, 5 March 2019.
Gittins, Holly, New £1.8m public garden opens at the Hepworth Wakefield, wakefieldexpress.co.uk, 12 August 2019.
Gleadell, Colin, Sotheby’s Delivers a Solid $123 Million in Its Last Contemporary Sale Before Brexit, But Suggests an Anxious Market, news.artnet.com, 5 March 2019.
Harten, John (Ed.), Trance, Albert Oehlen, pp. 170, 174.
Jenkins, Chris, Jenny Saville’s ‘Juncture’ Leads Works by Pioneering Female Artists in Sotheby’s Auction, artsandcollections.com, 28 February 2019.
Ludel, Wallace, The Object & Thing art and design fair is teaming up with the Independent fair, artsy.net, 25 October 2019
Styles, David, The Hepworth Wakefield Garden has reached its latest key milestone as art works begin to be installed on the site immediately adjacent to the 2017 Art Fund Museum of the Year, Museums and Heritage Advisor, 7 August 2019.

Brennan, Ailis, Tate St Ives wins £100000 Museum of the Year award, standard.co.uk, 6 July 2018
Carter, Imogen and Killian Fox, Home is where the art is: what Paula Rego, Lubaina Himid and other artists hang on their walls, theguardian.com, 26 August 2018
Clarke, Andrew, Eisabeth Frink retrospective charts fears and concerns of modern life, Eastern Daily Press, 18 October 2018.
Lavrador Judicaël, Dadames Sculptées dans la Grâce, liberation.fr, 26 February 2018
M.H. Schuster, Contemporary Art Shines Bright in the City of Light, robbreport.com, 16 October 2018
Rea, Naomi, In Paris for FIAC? Here Are 11 Must-See Shows on View This Week in the French Capital, news.artnet.com, 16 October 2018
Souter, Anna, Must-see London exhibitions this April, theupcoming.co.uk, 13 April 2018
––––, Must Visit Art Shows in Paris This Week: Jan Fabre to Rebecca Warren, blouinartinfo.com, 24 May 2018
––––, Rebecca Warren’s exhibition at Galerie Max Hetzler, Paris, blouinartinfo.com, 15 June 2018
––––, Britain’s Leading Artists Protest Against The Decline Of Art In Schools, artlyst.com, 8 May 2018.
––––, British artists: Ebacc will damage creativity and self-expression, theguardian.com, 8 May 2018.
––––, Fiac to open in Paris, Artforum.com, 15 October 2018

Campbell-Johnston, Rachel, A century of modernism at Tate St Ives, thetimes.co.uk, 13 October 2017
Hudson, Mark, A triumphant reinvention – Modern Art and St Ives, Tate St Ives, review, telegraph.co.uk, 12 October 2017
Liang Khong, En, When The Light Shifts, frieze.com, 30 October 2017
Moloney, Ciara, Rebecca Warren – Matthew Marks gallery, Los Angeles 22 April–17 June,
ArtReview, Summer 2017, p.127
Pes, Xavier, Reinvigorated and Under New Leadership, Tate St Ives Opens Its Doors After a $27 Million Expansion, October 13 2017
Roux, Caroline, Tate St Ives: First look at the new £20m underground art gallery, telegraph.co.uk, 3 October 2017
Roy, Keeba, Portraits, Pop Art and a BIG prize… From Modigliani to the Moomins, event brings you the ten best art shows this Autumn, 7 October 2017
Salter, Jessica, The seaside town with the most beautiful light in Britain, telegraph.co.uk, 21 October 2017
Smith, Laura, Rebecca Warren: ‘from the mess of experience’ Tate Etc., Issue 41, Autumn 2017, pp. 52-59
Warren, Rebecca, Artists’ Statements for Parkett 100/101: Rebecca Warren,
Parkett No. 100/101, 2017.
—, Creating Ourselves: The Self in Art, Whitechapel Gallery, London (c)

Mecugni and Basualdo, Embracing The Contemporary, The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, 2016, pp. 258-259
Zotos, John, The Main Feeling: Rebecca Warren at the Dallas Museum of Art artsandculturetx.com, 4 May 2016
Israel, Nancy Cohen, Rites of Spring, Patron, April 2016
Brattell, Rick, A new Dallas arts scene, The Dallas Morning News, 21 April 2016
Oehlen, Albert, Material Object, Mousse, no 53, April – May 2016, pp. 140-153.

Barry, Frances, Walks of Art, Tate Publishing, May 2015.
Buck, Louisa, Beyond nudes: the legacy of Rubens, telegraph.co.uk, 30 January 2015.
Gayford, Martin, Royal Academy’s Summer Exhibition reviewed, spectator.co.uk, 6 June 2015.
McKever, Rosalind, Hepworth Wakefield puts plaster casts in pride of place, apollo-magazine.com, 20 May 2015.
Warren, Rebecca, How Barbara Hepworth inspired me, Porter, Summer 2015, pp.93-94.
Wright, Karen, The Summer Exhibition, Royal Academy of Arts, review, independent.co.uk, 08 June 2015.
Wright, Karen, Barbara Hepworth: a brief look into the artist’s life as three shows open at The Hepworth Wakefield, independent.co.uk, 25 May 2015.
—-, SCULPTURE: Muñoz, Schütte, Trockel, and Warren at Skarstedt, artfixdaily.com, 27 October 2015.
—-, The Bechtler foundation makes permanent loans to the Kunsthaus Zürich, artmediaagency.com, 11 May 2015.

Indrisek, Scott, Must see gallery shows, blouinartinfo.com, 18 September 2014
Luke, Ben, The Human Factor, Hayward Gallery – exhibition review, standard.co.uk, 17 June 2014
Pilger, Zoe, The Human Factor exhibition review: Investigating the body politic at the Hayward Gallery, independent.co.uk, 15 June 2014
Rooney, Kara L., REBECCA WARREN Why Do Birds Suddenly Appear? brooklynrail.org, 5 November 2014
Smyth, Andrew, Difficult women collide with serious money in ‘She’, Brown Daily Herald, 28 October 2014
Sooke, Alastair, The Human Factor, Hayward Gallery, review: ‘modish’, telegraph.co.uk, 16 June 2014
—-, Rebecca Warren, “Why Do Birds Suddenly Appear?”, Time Out New York, 11-17 September 2014, p.36

Cahill, James, Camulodunum, Frieze, January-February 2012, p.147
Prince, Mark, Rebecca Warren, Frieze, September 2012, p.167
Lovatt, Anna, Rebecca Warren, Artforum, January 2012, pp.229-230
Warren, Rebecca, Artists’ Artists: excerpt Rebecca Warren Frieze Masters October 2012, p.84

Curiger, Bice, Rebecca Warren: Helmut Crumb, Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, 2011, pp.230–231
Cooke, Erica, Rebecca Warren, Frieze, January-February 2011, p.133
Dembinska, Natalie, 10 News, Finding Form: Rebecca Warren,
10 Magazine, Autumn/Winter 2011, p.59
Diary: Rebecca Warren, Mousse, October-November 2011, p.226
Garlake, Margaret, Modern British Sculpture, Art Monthly, March 2011, pp.20-21

Barnett, Laura, & Turner, Jenny, Beyond the stable; Rebecca Warren, The Guardian G2, 15 December 2009, p.11
Clare, Claudia, Material Returns, Ceramic Review, January/February 2010, pp.50-53

Armin, Janine, Rebecca Warren at Matthew Marks, New York,Saatchi Online, 23 October 2009
Barnett, Laura, Portrait of the Artist, Rebecca Warren, Guardian G2, 7 April 2009, p.25
Buck, Louisa, Hands on, Vogue, April 2009, pp.127-128
Charlesworth, JJ, Exhibition of the week: Classified, Time Out, 9 July 2009, p.43
Checkland, Sarah Jane, A bit of clay. A rusty nail. A plant…, Financial Times: Collecting, 7 March 2009, p.6
Coomer, Martin, Rebecca Warren, Art Review, May 2009, p.108
Coomer, Martin, Best of Year’ 09, Time Out, 17 December 2009, p.67
Cooper, Emmanuel, Visual Arts: Playing Devil’s advocate with mother goddesses, Tribune, 10 April 2009
Critics’ choice, Time Out, 19 March 2009, p.47
Critics’ choice, Major Spaces, Time Out, 9 April 2009, p.49
Critics’ choice, Major Spaces, Time Out, 16 April 2009, p.52
Cumming, Laura, The anti-sculptor runs true to form, The Observer: Review, 22 March 2009, p.17
Darwent, Charles, This work is all in the mind – and it should stay there, The Independent on Sunday: The Critics, 22 March 2009, p.63
Emin, Tracey, ‘I’ve told Art to keep away. We’re going to have a trial separation…’,
Fisher, Alice, Maureen, Fantastic Man, Autumn/Winter 2009, pp.148-155
The Independent, 12 March 2009, p.7
Exhibitions: Pick of the week, The Guardian Guide, 14 March 2009, p.35
Exhibitions: Pick of the week, The Guardian Guide, 21 March 2009, p.37
Gooding, Francis, Exhibition of the week: Summer Exhibition, Time Out, June 17, p.44
Holland, Jessica, Erotic feat of clay, The London Paper, 10 March 2009
Honigman, Ana Finel, On a Haunch, artforum.com, 16 March 2009
Johnson, Ken, Rebecca Warren, The New York Times, 18 September 2009
Jury, Louise, Well-rounded: Turner Sculptor at the Serpentine, Evening Standard, 9 March 2009, p.8
Carey-Kent, Paul, Were you paying attention?, Art World, August/September 2009, p.145
Lack, Jessica, Exhibition Preview: Rebecca Warren, London, The Guardian Guide, 7 March 2009, p.39
Laverne, Lauren, Lauren Laverne’s Must List, Grazia, March 2009
Levin, Kim, Rebecca Warren: Matthew Marks, Art News, November 2009, pp. 112 & 114
Londoner’s Diary: Emin takes a meerkat swipe at Gormley, Evening Standard, 10 March 2009, p.17
Lubbock, Tom, The shape shifters, The Independent: Life, 16 March 2009, pp.14-15
Myners, Paul, Flashbulb: Gold Myners, Evening Standard, 20 March 2009.
Rebecca Warren, The New Yorker, 5th October 2009
Serpentine Gallery presents Major Survey of Work by Rebecca Warren, artdaily.org, 10 March 2009
Serpentine Gallery presents Major Survey of Work by Rebecca Warren, artknowledgenews.com, 7 April 2009

Carey-Kent, Paul, Cubes, Art World, February 2008, pp.49-51
Gallois, Christophe, The Third Mind, Metropolis M, February 2008, pp.80-81
Holzworth, Hans Werner, Rebecca Warren, Art Now Volume 3, Taschen, 2008, pp.496-499
Lack, Jessica, In The Studio: Rebecca Warren, Rad Girl, Art World, April 2008, pp.44-49
Roos, Robbert, The Vincent – nominaties: Rebecca Warren, Kunstbeeld,nl, Nr 6 2008, pp. 36-39
The Vincent Award 2008, Stedelijk Museum CS Prospect / retrospect, Stedelijk Museum, 2008. pp. 55-56
Stern, Steven, Unmonumental, Frieze, April 2008, pp.169-170.Sonnenborn, Katie, Makers and Modellers, Frieze, March 2008, p.182
Tate Triennials: Remembering The Other Three?, Art World, December 2008, p.13

Hastings, Chris, Questions raised over Turner judge’s links to artists, The Sunday Telegraph, 18 February 2007
Hunt, Andrew, The Third Mind, Art Monthly, December 2007, pp.34-36
Hunt, Ian, No Room for the Groom: an exhibition with Douglas Sirk, Art Monthly, September 2007, pp.33-34
Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55
Market Positions: Rebecca Warren, Neue Zürcher Zeitung, 22 December 2007, p.27
News, Flash Art, March 2007, p.66
The glittering prizes, Art Newspaper, January 2007
Schwabsky, Barry, Rebecca Warren, Artforum, November 2007, p.380
Smith, Roberta, It’s Just Clay, but How About a Little Respect?, The New York Times, 7 September 2007
Rebecca Warren, Monopol, July 2007, p. 126

Aspden, Peter, Fresh takes on popular culture, Financial Times, 17 May 2006, p. 13
Barrett, David, Tate Triennial, Art Monthly, May 2006
Born, Matt, Look away now!, Daily Mail, 17 May 2006, p. 34
Brown, Mark, Not so shocking – and there’s even a painter, The Guardian, 17 May 2006, p9
Brown, Neal, Herbert, Martin, Lampert, Catherine, Parkett, No. 78, 2006, pp. 30-71
Campbell-Johnston, Rachel, Dubious, tedious, specious - you’ll want to scream, The Times, 17 May 2006, p. 27
Cumming, Laura, Tate Triennial 2006, Observer, 05 March 2006.
Darwent, Charles, Let’s pretend the Turner Price actually has something to say…, The Independent ABC, 6 October 2006
Dorment, Richard, Haunted by concepts of the past, Telegraph, 07 March 2006
Evans, Jonathan, Artist’s Turner entry is rubbish, The Independent, 3 October 2006
Fox, Dan, Tate Triennial, Frieze, May 2006, pp. 164 - 165
Guner, Fisun, Art Review: The Turner Prize, Metro, 05 October 2006, p. 29
Hull, Stephen, Art we can appreciate, Metro, 17 May 2006, p8
Hunt, Andrew and Mulholland, Neil, British Art (does it) Show? Frieze, Issue
96, January - February 2006, pp. 132 - 137
Producers: Auerbach, Jake & Lampert, Catherine, Rodin: The Sculptures’ View, The Henry Moore Foundation & The Royal Academy, produced by Jake Auerbach Films Ltd, 2006, 55 minutes, DVD
J, W, Who’s up for the Turner?, The Sunday Times, 28 May 2006
Jones, Jonathan, Why Rebecca Warren is Turner Prize gold, theguardian.coluk, 03 October 2006
Kent, Sarah, Turner for the worse?, Time Out, 11 October 2006
Le Plot, Toulouse, Show us your arts, The Sun, 17 May 2006, p. 12
Lubbock, Tom, Giacometti meets the Elephant Man as the Turner Prize puts controversy before quality, The Independent, 17 May 2006, p. 15
Keeling, Julian, Shapes of Things to Come, Harper’s Bazaar, November 2006, pp. 198 - 201
Maine, Stephen, Rebecca Warren at Matthew Marks, Art in America, May 2006, pp. 183 - 184
Malvern, Jack, Clay genitalia? It must be the Turner, The Times, 17 May 2006, p. 27
Morton, Tom, Flutter, Frieze, October 2006, p. 258
O’Riley, Sally, Consider This: The Turner Price, Art Review, November 2006, p. 25
Pettifor, Tom, Turner Prize favourite: My art has no meaning, Daily Mirror, 17 May 2006, p. 12
Reynolds, Nigel, Turner Prize judges nominate another ‘pervy potter’, The Daily Telegraph, 17 May 2006, p. 12
Searle, Adrian, Guff and Nonsense, The Guardian, 28 February 2006
Searle, Adrian, Car batteries, clay nipples, reality TV and a glimpse of the future, The Guardian G2, 18 October 2006, pp. 18 - 20
Somerstein, Rachel, Rebecca Warren, ART News, March 2006, p. 134
Thomas-Corr, Johanna & Forrest, Emma E, What to see and do, City AM, 04 October 2006, p. 20
Warren, Rebecca, Woman to Woman, The Daily Telegraph: Stella, 24 September 2006, pp. 38 - 42
Warren, Rebecca, Life in Film: Rebbeca Warren, Frieze, November–December 2006, pp. 41 - 42
Warren, Rebecca, Another Thing I wanted To Tell You, Another Magazine, September 2006, p. 96
Warren, Rebecca, The Artists’ Artists, Artforum, December 2006, p. 111
Williams, Eliza, Tate Triennial 2006, Flash Art, May 2006, pp. 63 - 64
Wullschlager, Jackie, Turner prompts fresh attack on female body, Financial Times, 04 October 2006, p. 13
Booby prize for art, Daily Star, 17 May 2006, p2
Dust Sculptor Makes Turner Prize Shortlist, New York Times.com, 17 May
News: Prizes, Flash Art, No. 249, July – September 2006, p. 50
Tate Triennial 2006, New British Art, Tate, February - March 2006, p. 6
Tate Triennial 2006, New British Art, Tate, April - May 2006
Turner Shortlist Announced, New York Times, 17 May 2006
Depth Charge, Art Monthly, June 2006

Bennett, Oliver, Modern masterpiece, The Guardian, Weekend, 3 December 2005, p130-135
La Placa, Joe, New London Sun, artnet, 21 October 2005
Campbell-Johnston, Rachel, Brit Art: the next generation, The Times, 1 September 2005
Dorment, Richard, When Beauty shocks you into silence, Telegraph, 27 September 2005
Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2
Smith, Roberta, Rebecca Warren, Pas de Deux, The New York Times, 16 December 2005
Listings, Time Out New York, 03 November 2005
Rebecca Warren, The New Yorker, 5 December 2005, p19

Charlesworth, JJ, Twisted Sister, ArtReview, June 2004
Charlesworth, JJ. The Maker’s Mark, Spike Art Quarterly, December 2004
GM, Rebecca Warren: Dark Passage, NZZ am Sontag, 11 April 2004
Jones, Jonathan, If I had a hammer…, 1 April 2004
kng, Kunsthalle Zurich: Rebecca Warren, Basler Zeitung, 10 April 2004
kwu, Selbstbewusste, wuchtige Frauenfiguren, Schaffhauser Nachrichten, 8 April 2004
Hilty, Greg. Rebecca Warren: SHE, Parkett, No.70, 2004
ISW, Rebecca Warrens monstrose Weiber, Schweizer Illustriete, 10 May 2004
O’Grady, Carrie, What’s Up With Modern Art?, Rebecca Warren. The Guide (Frieze Art Fair), October 2004
Rogger, Andre, Frivole Damen in glasiertem Ton, Tagas Anzeiger, 13 April 2004
Steiner, Urs, Frankensteins Tochler – Rebecca Warren in der Kunsthalle, NZZ, 07 April 2004
Wust (SFD), Karl, Selbstbewusste Frauenmonster, Zurichsee-Zeitungen, 6 April 2004
The Independant, 3 January 2004
Rebecca Warren: Dark Passage, Praxis. Schweiz. Rundschau fur Medizin, 14 April 2004
Rebecca Warren, Cream, April 2004

Anderson, Hephzibah. Clay pride, Metro Life, 2 September-26 October 2003
Artner, Alan G. Warren’s rough, eloquent art, Chicago Tribune, 10 October 2003
Brooks, Libby, Top Girls, 50 women to watch, Guardian G2, 30 September 2003
Burton, Johanna, “Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren”, Time Out New York, 7-14 August 2003
Coomer, Martin, New acquisitions in the Boiler Room, Time Out Saatchi Gallery Guide, 1-8 October 2003
Hawkins, Margaret, The surreal world, Chicago Sunday Times, 24 October 2003
Higgie, Jennifer, Under the Influence, Frieze, January February, 2003
JH, Rebecca Warren, artspace version 2 September 2003
Kent, Sarah, Rebecca Warren, Time Out, 18-25 June 2003
Pethick, Emily, Rebecca Warren, Artforum.com, June 2003
Renton, Andrew, Shopping with Saatchi, The Evening Standard, 10 June 2003, pp. 39 -- 41
Smith, Roberta, A Grand Finale of Group Show Fireworks, The New York Times, 18 July 2003
Somaiya, Ravi, Frass, Dazed & Confused, Issue Nº 6 October 2003, p. 70
Rebecca Warren, kultureflash, Nº 52, 15 July 2003
Don’t Miss…, Time Out New York, Nº 407, July 17-24 2003, p79.
Matthew Marks Gallery, New York Times, 18 July 2003
Group Show, The New Yorker, 4 August 2003
New Acquisitions in the Boiler Room – Rebecca Warren, Time Out London, 1-8 October 2003

Charlesworth, JJ. Neon Gallery, contemporary, March 2002
Coomer, Martin. Vogue’s galleries, Time Out, Nº1675 Sept 25 – October 2002
Dorment, Richard. Academy of Cool; The Daily Telegraph, 5 June 2002
Gleeson, David, britart.com, November 2002
Güner, Fisun, Glad to be clay, Metro UK, 9 December 2002

Aidin, Rose & Williamson, Charlotte. Move over Damien, meet the new talent, The Evening Standard ES Magazine, 12 September 2001
Cork, Richard. What’s hot in the year of our Trace, The Times, 02 May 2001
Cumming, Laura. New Labour, Saatchi Gallery, The Observer Review, 29 April 2001
Darwent, Charles. Handmade tales of pots and porn, The Independent on Sunday, Culture, 29 April 2001
Dorment, Richard. Art for the eyes, not the brain, The Daily Telegraph, 02 May 2001
Ellis, Patricia. New Labour @ Saatchi, Flash Art, Vol. XXXIV Nº 218, May-June 2001
Gellatly, Andrew. Rebecca Warren, frieze, Issue 56, January February 2001.
Gilbertson, Alice, A Stitch Up, Art Review, July 2001
Hawes, Robert, Labour Pains, The Weekly Post, 25 May 2001
Januszczak, Waldemar. At the Saatchi Gallery, you’ll find proof that New Labour really is working, The Sunday Times, Culture section, 29 April 2001
Kent, Sarah. Labour intensive: Object lessons from New Labour at the Saatchi, Time Out, Nº1603, 9-16 May 2001
Kent, Sarah. The Tattoo Show, Modern Art, Time Out, Nº1613, July 18-25 2001
Packer, William, ‘New Labour’ but the same old pretensions, Financial Times, 29 May 2001
Sewell, Brian. A touch of smut with a hand from Saatchi, The Evening Standard, 18 May 2001
Wilsher, Mark. Craftwork, What’s On, 9-16 May 2001
Rebecca Warren, I-D, April 2001, p.84

Archer, Michael. Going for Bronze, Art Monthly, Nº 240 October 2000
Coomer, Martin. Rebecca Warren (Critic’s Choice)
Time Out, Nº1571, 27 September-04 October 2000
Gleeson, David, The Raw and the Cooked, britart.com, November 2000

Herbert, Martin. It’s a curse, it’s a burden, Time Out, Nº 1482, 13-20 January 1999
Musgrave, David. It’s a curse, it’s a burden, Art Monthly, Nº223 February 1999

OBE for sevices to Art

Elected Royal Academician

Vincent Award nominee, Stedelijk Museum, The Netherlands

Turner Prize nominee, Tate Britain, London

Artists Production Awards, London Arts Board

Artists First-time Publication Award, Arts Council of England

Artists Production Awards (with Fergal Stapleton) London Arts Board Contemporaries, The Mall Gallery, London