Goldsmiths’ College, London (B.A. Hons.)

Goldsmiths’ College, London (M.A.)

(C) denotes that a catalogue was published in conjunction with the exhibition.

Gazing Ball, Anton Kern Gallery, New York, USA

Hall of Mirrors, Maureen Paley, London

Sarah Jones: The Pleasure Gardens, Weinstein Hammons Gallery, Minneapolis, Minnesota, USA

Anton Kern Gallery, New York, USA

Maureen Paley, London, UK
Anton Kern Gallery, New York, USA

New Pictures 8, Minneapolis Institute of Arts, Minneapolis, USA

Maureen Paley, London, UK

Sarah Jones: Photographs, National Media Museum, Bradford, UK

Anton Kern Gallery, New York, USA

Maureen Paley Interim Art, London, UK
Anton Kern Gallery, New York, USA

Le Consortium, Dijon, (as part of I Love Dijon), France (C)
Huis Marseille Foundation for Photography, Amsterdam, The Netherlands

Museum Folkwang Essen, Essen, Germany (C)
Anton Kern Gallery, New York, USA
Centre for Photography, Universidad de Salamanca, Spain
Museum Reina Sofia, Madrid, Spain
Maureen Paley Interim Art, London, UK
Jerwood Space, London, UK

Galerie Anne de Villepoix, Paris, France
L’Ecole supérieure des Beaux-Arts, Tours, France
Sites, Sabine Knust Galerie & Edition Maximilian Verlag, Munich, Germany

Le Consortium, Dijon, France
Maureen Paley Interim Art, London, UK

Consulting Room, Galerie du Dourven, France, (Office Departemental de Developpement Culturel, Mission Arts Plastiques)
Consulting Room (Couch), Camerawork Gallery, London, UK

Hales Gallery, London, UK

Watershed Arts Centre, Bristol, UK

F.Stop Gallery, Bath, UK

(C) denotes that a catalogue was published in conjunction with the exhibition.

In the Now: Gender and Nation in Europe, Selections from the Sir Mark Fehrs Haukohl Photography Collection, Brooklyn Museum, Brooklyn, New York, USA (C)

Personal Space: On Photography and Being, Norton Museum of Art, West Palm Beach, Florida, USA
Beyond Lenses, Parallel Institute, Hangzhou, China
Dialektik der Präsenz Eine Ausstellung von Hans Dieter Huber, Kunststiftung DZ BANK, Frankfurt, Germany
13 Women: Variation II and Variation III, Orange County Museum of Art, Costa Mesa, USA
Writing her own Script. Women Photographers from the Hyman Collection, Photo London 2023,
Somerset House, London, UK

In Hospital: Ludwig Kuffer, Andreas Langfeld, Elisabeth Neudörfl, Museum Folkwang, Essen, Germany
Tales of Manhattan, Anton Kern, New York, NY, USA

Summer Exhibition, Royal Academy of Arts, London, UK
The Enchanted Interior, Guildhall Art Gallery, London, UK
Unearthed: Photography’s Roots, Dulwich Picture Gallery, London, UK

Un monde, un seul, pour demeure, Frac Nouvelle-Aquitaine, Bordeux, France
Home Sweet Home 1970-2018: The British Home, A Political History, Les Rencontres D’Arles, Arles, France (C), touring: Institut Pour La Photographie, Lille, France (2019)
Summer Exhibition, Royal Academy of Arts, London, UK

Winter Selections, Weinstein Hammons Gallery, Minneapolis, Minnesota, USA
The Language of Flowers (Revisited) Institut für Alles Mögliche, Berlin, Germany
Je est un.e autre, FRAC Poitou-Charentes – Angoulême, Angoulême, France

10 YEARS OLD, Fondazione Fotografia Modena, Modena, Italy

Implosion 20, Anton Kern, New York, USA
Animality, Marian Goodman Gallery, London, UK (C)
Pool, The Griffin Gallery, London, UK

The Collective, The House of St Barnabas, London, UK
Paradis perdu, FRAC – Nord-Pas de Calais, Dunkerque, France
Contemporary Photography from North West Europe. Chapter I, Fondazione Fotografie Modena, Modena, Italy
Double Take: Photography and the Garden, Hestercombe Gallery, Somerset
Scenery, 254 Bethnal Green Road, London, UK

Un fil rouge, Frac Poitou-Charentes, Centre d'art et de photographie de Lectoure, Lectoure, France
The Marseillaise(s) / fifteen years of collecting, Huis Marseille, Amsterdam, The Netherlands (C)
Nouvelle Génération, FRAC Nord-Pas de Calais, Dunkerque, France
Your Tongue In My Mouth, Stanley Picker Gallery, London

Collective Apparitions, Contemporary Art Space, La Rochelle, France.
The First 15, Photography from the Meredith S. Moody Residency at Yaddo, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, NY, USA.
Seduced by Art: Photography Past and Present, National Gallery, London, UK, touring to CaixaForum Barcelona, and CaixaForum Madrid, (C).

Women at Work, China Art Archives & Warehouse (CAAW), Beijing, China
Family Matters: The Family in British Art, Art Gallery, Millennium Galleries, Sheffield, Laing Art Gallery, Newcastle, Tate Britain, London
Der Mensch und Seine Objekte, Museum Folkwang, Essen
Observers: Photographers of the British scene from 1930s to now, Galeria de Arte do Sesi, Avenida Paulista, Sao Paulo
Focal Points: Art and Photography, Manchester Art Gallery, Manchester, UK
Melancholia, Villa Klinger, Leipzig

Nothing In the World But Youth, Turner Contemporary, Margate, UK
Family Matters: The Family in British Art, Norwich Castle Museum, Norwich, UK
Signs of a struggle: Photography in the Wake of Postmodernism, Victoria and Albert Museum, London, UK
A Sense of Perspective, Tate Liverpool, Liverpool, UK
Herein! Interieurs in der DZ Bank Kunstsammlung, DZ Bank, Frankfurt, Germany
Heroines, Museo Thyssen-Bornemisza y Fundación Caja, Madrid, Spain (C)
Stripped (Tate Visual Dialogues), Nottingham Castle Museum, UK.
Dutch Still Life, Peabody Essex Museum, Massachusetts, USA (C)
Peeping Tom, Kunsthale der Amerfoot, nr Amsterdam, Netherlands
Street Life & Home Stories, Photographs from the Goetz Collection, Museum Villa Stuck, Munich, Germany
Femme Objet / Femme Sujet, Abbaye St André – Centre d’art contemporain, Meymac, France

Peeping Tom, Kunsthalle der Amerfoot, Kunsthal KAdE, Amersfoort, Netherlands.
Peeping Tom, Vegas Gallery, London.
Photograph(e)s, Musée Nicéphore-Niépce, Musée de la Photographie, Chalon sur Saône.
Streetlife & Homestories Fotografien aus der Sammlung Goetz, Museum Villa Stuck, Munich, Germany.
The Bart’s Hospital Commission/Vital Arts, London.

The Casini Cruise, Ardi Poels Projects, Maastricht, The Netherlands.
Flower Power, Villa Giulia – CRAA, Verbania, Italy.
Passing Thoughts and Making Plans, curated by Catherine Yass, Jerwood Space, London, UK.

Friends and Family, Anton Kern Gallery, New York, USA.
Interior/ Exterior: Living in Art, Kunstmuseum Wolfsburg, Germany.
Intim/Ita, Museum Kampa, Prague.
Within: New Photographic Portraits, Bloomberg Space, London, UK.
Street & Studio: An Urban History of Photography, Tate Modern, London; Museum Folkwang, Essen, Germany.
The Society of London Ladies, dispari&dispari project, Reggio nell’Emilia, Italy.

Garden Eden, The Garden in Art Since 1900, Kunsthalle in Emden, Emden, Germany, (C).
7th Internationale Foto Triennale Esslingen, Galerien der Stadt Esslingen, Esslingen am Neckar, Germany, (C).
Something That I’ll Never Really See, Contemporary Photography from the V&A, Sainsbury Centre for Visual Arts, Norwich; Nottingham Castle, Nottingham.
Northern Lights: Reflecting with Images, Galleria Civica di Modena, Modena.
Beautiful People (et la blessure secrète), CRAC Alsace, Altkirch.

Implosion, Anton Kern Gallery, New York.
XX – Encontros de Fotografia, Coimbra Visual Arts Centre, Portugal.
La Collection Photographique du Frac des Pays de La Loire, Galerie Le Lieu, Lorient.
Portrait – 1960 to today, by Die Photographische / SK Stiftung Kultur, Cologne, to coincide with the 40th anniversary of Art Cologne.
Simon & Sarah, Platform, London.

Pour de Vrai, Musee des Beux-Arts, Nancy.
Motor Blues – The donation autowerke given by BMW financial services to the museum der bildenden Kunste Leipzig, Museum der bildenden Kunste Leipzig, (C).
Attentes, Casino Luxembourg – Forum d’art contemporain, Luxembourg, (C).
New Photography, Norton Museum of Art, Palm Beach, Florida.
The wonderful fund collection, touring exhibition: Le Musee de Marakech, (2005); Pallant House Gallery, Chichester; and others,(C).

Stranger Than Fiction, Abersytwyth Arts Centre, Aberystwyth.
Take Five ! Huis Marseille turns five, Huis Marseille, Amsterdam, (C).
Art of the Garden, touring exhibition: Tate Britain, London, (2004); Manchester Art Gallery, Manchester, (2005), (C).
Biennale, Museum of New Art (mona), Pontiac.
Just love me, Fries Museum, Leuwaarden, (C).

A bigger splash – British art from Tate – 1960 – 2003, touring exhibition: Pavihao lucas Nogueira Garcez – Oca Parqueibirapuera; Sao Paul & Instituto Tomie Ohtake, (C).
Double Exposure, ING-bank, Kortrijk, (C).
Virtual Eye, Norwich Castle Museum, Norwich, (C).
Girls’ Night Out, touring exhibition: Orange County Museum of Art, Newport Beach (2003 – 2004); Addison Gallery of American Art, Andover, (2004); Contemporary Art Museum, St Louis (2005); Blaffer Gallery, University of Houston, Texas, (2006), (C).
Painting Pictures, Kunstmuseum, Wolfsburg, (C).
Photography, Eleni Koroneou Gallery, Athens.
Child In Time: Views of contemporary artists on youth and adolescence, Gemeentemuseum Helmond.

Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, touring exhibition: Sammlung Goetz, Munich; Staatliche Kunsthalle, Baden-Baden, (C).
Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool, England.

Making your dreams come true – Young British photography, Representing Britain, Tate Britain.
I LOVE NY, Anton Kern Gallery, New York.
No World Without You – Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv, (C).

Les trahisons du modèle, Galerie Nei Liicht, Dudelange Luxembourg.
Intersection I: intimate/anonymous, Espace d’art Contemporain HEC, Jouy-en-Josas, France.
docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds.
Pause/Pose, Galerie Anne de Villepoix, Paris.
Wooden Heart, AVCO, London.
Quotidiana, Castello di Rivoli, Turin.

Another Girl Another Planet, Lawrence Rubin Greenberg Van Doren Fine Art, New York, (C).
3rd International Tokyo Photo Bienalle, Tokyo Metropolitan Museum of Photography, Japan.
Dreamlands, Portfolio Gallery, Edinburgh, Scotland, (C).

F Comme Photographie, Centre d’Art Contemporain
Kunsthalle, Fribourg, Switzerland.
dijon/le consortium.coll, tout contre l’art contemporain, Centre Georges Pompidou, Paris.
Shot Without Reason, Bloom Gallery, Amsterdam.
Sorted, Ikon Gallery, Birmingham.
Made in London, Musea de Electricidade, Lisbon, (C).
The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg.
The new neurotic realism, The Saatchi Gallery, London, (C).
Family Credit, Collective Gallery, Edinburgh.

Portrait, Maureen Paley Interim Art, London.
Dramatically Different, Galeries du Magasin,
Centre National d’art Contemporain de Grenoble, France, (C).
Strange Days, Galleria Gian Ferrari Arte Contemporanea, Milan, (C).
On the Bright Side of Life – Contemporary British Photography, Neue Gesselschaft für bildende Kunst e.V., Berlin, (C).
Bill Henson, Sarah Jones, Philip-Lorca DiCorcia Galerie Gebauer, Berlin.
Jennifer Bornstein, Jenny Cage, Anna Gaskell, Dana Hoey, Sarah Jones,
Valérie Jouve, Gillian Wearing, Galerie Anne de Villepoix, Paris.
Moulin Saint-James, Printemps de Cahors, Cahors.

A.C.E !, touring exhibition: Arts Council Collection, Hatton Gallery, Newcastle;
Harris Museum & Art Gallery, Preston; Oldham Art Gallery;
Hayward Gallery, London.
New Contemporaries, touring exhibition: Tate Gallery, Liverpool; Camden Arts Centre, London.

Sick, 152c Brick Lane, London.
Nobby Stiles, Vandy Street, London.

Foto 2, 152c Brick Lane, London.
Dad, Gasworks Gallery, London.

Slow Horses, St. James’, London.

Next Phase, Tobacco Dock, London.

Constructed Imagery, Plovdiv Gallery, Bulgaria.

Untitled Gallery, Sheffield.
The Photographers Gallery, London.

(C) denotes catalogue.

A Rose Is, The FLAG Art Foundation, New York, US

Diderich, Joelle, Dior Goes Existential With Fall Ads Lensed by Sarah Jones, wwd.com, 17 July 2024
Segal, Corinne, How Do Photographers Know When an Image is Complete?, brooklynmuseum.org, 17 April 2024

Clarke, Chris, Sarah Jones: Glass Doors, Source Magazine, Issue 113, Winter 2023, pp. 40-49
Rexer, Lyle, Sarah Jones: Gazing Ball, photomonitor.co.uk, 2023
Mark, Rebecca; Heiting, Mafred, The Sir Mark Fehrs Haukohl Collection of European Women Photographers 2000 - 2020, STEIDL, 2023, p. 116
–––, Must See – Sarah Jones: Gazing Ball, Anton Kern Gallery, artforum.com, November 2023

Munzenrieder, Kyle, Paris Hilton Looks Back at Her Life in Parties, wmagazine.com, 27 September 2022

Barrett, Dell, Sarah Jones discusses her latest London exhibition, hundredherroines.org, 11 August 2021
Douglas, Caroline, ‘Sarah Jones: Hall of Mirrors’ at Maureen Paley, contemporaryartsociety.org, 23 July 2021
Prodger, Phillip, Face Time: A History of the Photographic Portrait, Thames & Hudson, UK, 2021, p 196
Urban, Mike, Unearthed: Photography’s Roots at the Dulwich Picture Gallery, 19 May-30 Aug 2021, brixtonbuzz.com, 21 May 2021
Walton, Millie, Sarah Jones: The Photographic Night, trebuchet-magazine.com, 17 July 2021

Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2020, p. 73.

Eler, Alicia, Time stands still in Minneapolis show by British photo star, startribune.com, 27 June 2019.
Treiner, Sandrine, Pourquoi parler de ses impasses å quelqu’un?, Papiers France Culture, Summer 2019, p. 45.

Jones, Sarah, Special Artist’s Project, Frieze Week, London 2017, pp.82-89.

Imagining a University: Fifty Years of The University of Warwick Art Collection, exh. cat. Mead Gallery, Warwick, 2015, p.127, (C)

Coomer, Martin, Critic’s choice: Sarah Jones, Time Out, 8 April 2014, p.73
Coomer, Martin, Sarah Jones, timeout.com/london, 03 April 2014.
Corman, Catherine, New Wave Women: Illumination, hufingtonpost.com, 04 March 2014
——, The White Review, No.11, August 2014

Prentnieks, Anne, Critic’s Picks: Sarah Jones, artforum.com, 11 September 2013

Jones, Sarah, My best shot Sarah Jones, The Guardian, 22 November 2012, p.18

Jones, Sarah, Urban Arcadia (portfolio), Exit, August-October 2011, p. 90-99
Taylor, Kenn, The Future of Arts Engagement: A Sense of Perspective: Tate Liverpool, Aesthetica Magazine Online, 15 April 2011.
Spalding, Frances, Artistic relations: how family portraiture changed through the ages, theguardian.co.uk, 11 November 2011.

Frieze Art Fair, WM Whitehot Magazine, Giovanni Aloi, Oct 2010.
Passing Thoughts and Making Plans, kultureflash.net, 27 November 2009.
Flower Power, Villa Giulia – CRAA, Verbania, Italy. (C)

Clarke, Chris, Sarah Jones: Photographs, Photography & Culture, Volume 1, Issue 2, November, pp. 255-256.
Colsell, Ilsa, Sarah Jones, Frieze.com, 9 February 2008.
Goldblatt, David, Jones, Sarah, Killip, Chris, & Teller, Juergen, Street & Studio: An Urban History of Photography II: Magical, Powerful, Simple, Shocking, Tate ETC, Summer 2008, pp.56-59.
Homes, A.M., Still Life, Frieze, June 2008, pp. 198-203.
Lewis, Ben, Will the party soon be over for the Frieze crowd?, Evening Standard, 16 October 2008, pp.18-19.
La Collection d’art d’agnes b, JRP Ringier, Zürich.
Sarah Jones: Photographs, Pluk, Spring 2008, pp.44-45.
Sardo, Delfim, The Park (II), Única, 9 August 2008, pp.16-17.
Steward, Sue, Morbid magic flowering in the dark, Evening Standard, 21 January 2008.
Van wie is dit verhaal & waarom is het altijd in haar gedachten?, Hollands Diep, May 2008, pp.102-104.

Clark, Robert, Preview: Sarah Jones, The Guardian Guide, 3 November 2007.
Welch, Edward, On the Couch, Source, Winter 2007, pp.54-55.
Archive, Nº.10, National Media Museum, Bradford, October 2007.
Hughes, Kathryn, Girls on Film, Stella, 11 November 2007, pp.42-49.
The Language of Flowers, criticaldictionary.com, July 2007.

26 Anos – Encontros De Fotografia, Mulheres, 2006, p100-103, (C for the exhibition XX – Visions on feminine, from the collection of the Encontros de Fotografia).
Gardner, Belinda Grace, Porträts im Blickpunkt, Kunstzeitung, 3 November 2006.

Hoffmann, Jens & Jonas, Joan, Perform, Thames & Hudson, 2005, p90-91.
Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p76, 90-91.
Burnett, Craig, The Legacy of Diane Arbus, V&A Magazine, Winter 2005 – 6, p40-47 (47).
Folkwang Museum, Learning by Seeing, Prestel Museum Guide, 2005, p200-201.

Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p2-3, 62.
Durden, Mark, Beyond the Tyranny of Symmetry, Photoworks, Spring – Summer 2004.

Grant, Catherine. Maureen Paley Interim Art / Sarah Jones, Contemporary, December 2002.
Falconer, Morgan, Animating Nature, Portfolio, Nº. 36, December 2002.
Lafuente, Pablo, Multi-Storied, Art Review, October 2002.
Jones, Kristen M. Sarah Jones, Frieze, June – August 2002.
Aletti, Vince. Sarah Jones, Village Voice, 19 March 2002.
Dannatt, Adrian. Sarah Jones at Anton Kern, The Art Newspaper, Nº.123, 2002.
Jones, Sarah. Contribuitors, Vogue, February 2002.

The Curator’s Egg, Volume 1, 2001.
Making Your Dreams Come True – Young British Photography, in association with BMW financial services group, Hatje Cantz, 2001, pp22-29.

Heald, Claire. Under Surveillance, arteast.co.uk, 2000.
Clarke, Helen. Snapshots of daily life, East Anglian Daily Times, 12 May 2000.
Deex, John, Lives in pictures, Bury Free Press, 5 May 2000.
Mama, ben ik groot genoeg, AD Magazine, 24 January 2000.
Verschil in overeenkomst, Spits, 3 May 2000.
Steketee, Hans. De jonge vrouw als beeldhouwwerk, NRC, 3 May 2000.
Van Hooff, Dorothée. Mysterieuze Tableaux Vivants, Residence, May 2000.
Mysterieuze meisjes, Opzij, April 2000.
Huis Marseille, Holland Horizon, March 2000.
Wijnja, Nicoline. Victoriaans Experiment, Het Parool, 23 March 2000.
Bahners, Patrick. Ist es die minderjährige Tochter der Lady aus erster Ehe?, Frankfurter Allgemeine Zeitung, 18 February 2000.
Kröner, Magdalena. Sarah Jones, Camera Austria International, Nº 70, 2000.
Lehmann, Ulrike. Die Menschen blicken ins Leere, Kölner Stadt-Auzeiger, 17 February 2000.
Weckesser, Markus. Stille Leben, Intro, February 2000.
Lettmann, Achim. Widersprüche inszeniert, Westfülisrer Anzeiger, 18 February 2000.
Steketee, Hans. De jonge vrouw als beeldhouwwerk, 2000.
Bahners, Patrick. Ist die minderjährige Tochter der Lady aus erster Ehe?, Frankfurter Allgemeine Zeitung, 18 February 2000.
American Beauties, American Vogue, February 2000, pp. 264 - 271, 305.
Räume & Gesten, Foyer, February 2000.
Museum Folkwang Essen: Sarah Jones, Farbfotografien, Profifoto, January – February 2000.
Kröner, Magdalena, Farbiges Vakuum, Taz, 24 January 2000.
Farbfotografien: Sarah Jones, Elle Plus, January 2000.
Slyce, John, Sarah Jones, artext, February – April 2000.
Mellor, David Alan, Stille Leben, Intro, February 2000.

Menschen hinterlassen Spuren, WAZ, 17 December 1999.
Schürmann, Martina. Bilder wie im falschen Film, NRZ, 17 December 1999.
Furniss, Jo-Ann, Village of the bland, The Face, November 1999.
Bradley, Alexander, Sarah Jones, Metropolis M, Nº 5, 1999.
Archer, Mike, Sarah Jones, Jerwood Gallery, Artforum, October 1999.
Beech, Dave, Sarah Jones, Art Monthly, October 1999.
Wainwright, Jean, Sarah Jones, The Jerwood Space, London, Hotshoe International, September – October 1999.
Siegel, Katy, Another Girl, Another Planet, Lawrence Rubin Greenberg Van Doren, New York, Artforum, September 1999.
Buck, Louisa, Our choice of London contemporary galleries, The Art Newspaper, Nº 95 September 1999.
Herbert, Martin, Sarah Jones, Time Out, 1-8 September 1999.
McLaren, Duncan, Everything in the Garden is not all that rosy, The Independent on Sunday, 22 August 1999.
Cumming, Laura, Shocked? America didn’t even notice, The Observer, 8 August 1999.
Sarah Jones & Jason Coburn, The Evening Standard: ‘Going Out’, 3 August 1999.
Grant, Simon, Getting mixed reactions, The Guardian Guide, 31 July 1999.
Sumpter, Helen, Galleries: Choice, The Evening Standard Hot Tickets, 30 July – 5 August 1999.
Slyce, John. Sarah Jones: Spatial Alienations, Flash Art, May – June 1999.
Readings, Harper’s, June 1999, p21.
Townsend, Chris, Dreaming of Me, Hotshoe International, May – June
Johnson, Ken, Art in Review: Another Girl, Another Planet, The New York Times, 16 April 1999.
Aletti, Vince, Imitation of Life, Village Voice, 6 April 1999.
Arning, Bill, The sisters from another planet, Time Out New York, 8-15 April 1999.
Van de Walle, Mark, The Raw and the Cooked Up, Art and Auction, 1-14 February 1999.
Beaumont, Susanna, Interior Drama, The List, 18 February – 4 March 1999.
The Institute of Psych-Analysis, Autumn 1999.

Blazwick, Iwona, Feel no Pain, lifestyle photograhy and photography as lifestyle, Art Monthly, November 1998.
R.C., Sorted, The Guide, The Guardian, 27 September 1998.
Imbert, Pierre, Sarah et les jeunes filles, La Nouvelle République, 15 September 1998.
Russell Taylor, John, The Big Show: Sorted, The Times Metro, 5-11 September 1998.
Mahoney, Elizabeth, Family Credit, Art Monthly, September 1998.
Prentice, Claire, Family Credit, The List, 20-27 August 1998.
Vincent, David, Ikon creates a taste of youth culture, Express & Star, 22 August 1998.
Mahoney, Elizabeth, Relative Success, The Scotsman, August 1998.
Freak, Dave, Sorted / Relocating The Remains, What’s On, 8-21 August 1998.
Jackson, Tina, British art goes back to basics, The Big Issue, 8-14 June 1998.
Price, Dick, After all the shock comes the neurosis, The Times, 23 May 1998.
Townsend, Chris. Vile Bodies, Photography and the Crisis of Looking, Prestel/Channel 4, 1998.
Coleman, Sarah, Capturing Adolescence: Three Shows in London – Sarah Jones at Interim Art, Photo Metro, Volume 16, Issue 148, 1998.
Crabtree, Amanda, Malade Imaginaire?, Art Monthly, April 1998.
Townsend, Chris, Openings, Sarah Jones, Artforum, March 1998.
Guerrin, Michel, Les jeunes filles en fleurs photographiées par Sarah Jones, Le Monde, culture, 14 February, 1998.
Maillet, Florence, Sarah Jones, Cherchez le Garçon, Beaux-Arts Magazine Nº 165 February 1998.
Durand, Regis, Dark Foundations, art press, 231, January 1998.
Lindgaard, Jade, Teenage fan-club, les Inrockuptibles, Nº 133, 13 January 1998.

Creative Camera, December 1997 – January 1998.
Sarah Jones, Le Monde, (supplement), 24 December 1997.
Ces jeunes filles de bonnes familles…, le Bien Public, 24 December 1997.
Troncy, Eric, Documents sur l’art, Dijon, 1997.
Contributor: Open City, Number 5, New York, 1997.
Ollier, Brigitte, Flash Photo a Cahors, Liberation, 12 June 1997.
Thorp, Mo, Dark Underside, make, June – July 1997.
Craddock, Sacha, Around the Galleries, The Times, 25 March 1997, p37
Kent, Sarah, Sarah Jones, Time Out, March 1997, p49.
Bernard, Kate, Sarah Jones: New Work – The Dining Room, Hot Tickets, 13 March, p43.
Dramatically different, Catalogue for exhibition at Galeries du MAGASIN, On the Bright Side of Life – Contemporary British Photography, Neue Gesselschaft für bildende Kunst e.V. Berlin, 1997, (C).
Centre National d’art Contemporain de Grenoble, France, 1997.
Patrizio, Andrew, Sarah Jones, Galleries March 1997, p15

Searle, Adrian, Camerawork, Time Out, 8-15 August 1995.
Sarah Jones en consultation, Le Télégramme, 27-28 May 1995.
Cavell, Stanley, Cabinet de Consultation, Arts Plastiques, May 1995.

Lillington, David, Foto 2, Time Out, March 1994.

Kivland, Sharon, Untitled Magazine, Winter 1993, p10.

Sarah Jones, Violette Editions (essay by Brian Dillon, text by David Campany and an interview with Sarah Jones by A. M. Homes)

Sarah Jones, Museum Folkwang, Essen, (text by John Slyce)
Sarah Jones, Le Consortium, Dijon (text by Xavier Douroux, Astrid Gagnard, Jeniffer Higgie and Eric Troncy)

Sarah Jones, The Center of Photography, University of Salamanca, Salamanca, Spain (text by Chris Townsend)

The Meredith. S. Moody Photography Residency at Yaddo Artist’s Colony, Saratoga, New York

Arts Council ‘Grants for the Arts’.

Fellow, National Museum of Photography Film and TV, UK.

Yaddo Arts Colony, Saratoga, New York.

Norwich Castle Commission, (with publication).

Le Consortium Dijon, France, (commission with publication).

Hayward Gallery / Artist in Residence / Arts Council.

Office Departemental de Developpement Culturel, Dourven, France.

Rachel Whiteread / K. Foundation Award.

Eastern Arts Bursary (artist in residence, Camp JMI School, Herts).

Greater London Arts Board.