BFA from Otis College of Art and Design, Los Angeles, USA.

Viaje hacia el eclipse, Mazatlán Museum of Art, Centro, Mexico
Four Minutes of Darkness, Gallery OMR, Mexico City, Mexico

Prologue, Maureen Paley & Studio M, London, UK
This Must be the Place, Dallas Contemporary, Dallas, US

Eduardo Sarbia: Tu Eres Otro Yo, CAC Málaga, Málaga, Spain

Eduardo Sarabia: Como la Flor, Galeria Javier Lopez & Fer Frances, Madrid, Spain.
The Sacred Tree, Miami Art Basel 2021, The Office, Miami, Florida, USA.

Expediciones, Galería Javier López & Fer Francés, Malaga, Spain

El Toro y Otros Relatos, Museo Universitario del Chopo. Mexico City, Mexico
Intrahistorias, Galleria Javier Lopez & Fer Frances, Madrid, Spain

Condo 2018: Maureen Paley hosting joségarcia, mx, Maureen Paley, London, UK
Relación de un Interés – Sinaloa Mexico, Tommy Simoens, Antwerp, Belgium

Drifting on a Dream, The Mistake Room, Los Angeles, California, USA
Dream of a broken memory, joségarcía, mx, Mexico City, Mexico

Plumed Serpent Party, Museo Tamayo, Mexico City, Mexico

Ballads, Other Criteria, London, UK

Museo de Arte Contemporáneo de Oaxaca, Oaxaca, Mexico (C)
Instituto Cultural Cabañas, Guadalajara, Mexico (C)
Eduardo Sarabia: Moctezuma’s Revenge, ASU Art Museum, Arizona State University Art Museum,Tempe,USA

TAINTED: Eduardo Sarabia, Museum of Contemporary Art, Denver, Colorado, USA

La Gloria del Exceso, Galeria Leyendecker, Santa Cruz de Tenerife, Spain.
La Gloria del Exceso, Proyectos Monclova, Mexico City, Mexico.

There Will Be Better Days, Galerie Anne de Villepoix, Paris, France.
There Will Be Better Days, Tokyo Wonder Site, Tokyo, Japan.

Eduardo Sarabia: History of the World, LA Louver, Los Angeles, California.
joségarcía ,mx

I-20 Gallery, New York, USA.
Art Nova, Art Basel Miami Beach, Miami, Florida, USA. (I-20). (With Marina Kappos and Gonzalo Lebrija).

4-F Gallery, Los Angeles, California, USA.
Art Nova, Art Basel Miami Beach, Miami, Florida, USA (I-20)

404 Arte Contemporanea, Naples, Italy.

Eduardo Sarabia/Eric Wesley, Sutton Lane, London, UK.
I-20 Gallery, New York, USA.

Project Room: Eduardo Sarabia, (Curated by Ciara Ennis). Museum of Art Santa Monica, Santa Monica, USA.

I-20 Gallery, New York, USA.

(C) denotes that a catalogue was published in conjunction with the exhibition.

Sueñx, The Mistake Room, Los Angeles, USA
Cerámica Suro: A Story Of Collaboration, Production, And Collecting In The Contemporary Arts, Dallas Contemporary, USA

Growing Out? Growing Up? Contemporary Art Collecting in the Baltics, Zuzeum Art Centre, Riga, Latvia
ASU Art Museum’s Public Art, ASU Art Museum, Arizona, USA
I Don’t Need It, But I Want It The Office, Miami, USA
La casa que nos inventamos: Contemporary Art From Guadalajara, Oklahoma Contemporary, Oklahoma, USA
Assembly 1: Unstored, Assembly, New York, USA
Unusual Perceptions, The Office, Milan, Italy
Form Follows Energy, joségarcía ,mx, Mexico City, Mexico

Desert X, Coachella Valley, Palm Springs, CA, USA.
LXS ANGELINXS, Galería Javier López & Fer Frances, Madrid, Spain.
The Collection of Beth Rudin DeWoody, The Bunker Artspace, Florida, USA.

A Very Anxious Feeling: Voices of Unrest in the American Experience; 20 Years of the Beth Rudin DeWoody Collection, Taubman Museum of Art, Roanoke, VA, USA.
Inaugural Group Exhibition, Galería Javier López & Fer Frances, Madrid, Spain.

Centennial: 100 Years of Otis College Alumni, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, USA.
Encontro Dos Aguas, Denver Art Museum, Denver, USA.
Escultura de la Tierra. Cerámica Mexicana, Complejo Cultural Los Pinos, Mexico City, CDMX.
Good Moves, The Power Station, Dallas, Texas.
Marcel Dzama: Be good little Beuys and Dada might buy you a Bauhaus, Sies + Höke, Düsseldorf, Germany.
Reason Gives No Answers: Selected Works from the Collection, Newport Street Gallery, London, UK.
US-Mexico Border: Place, Imagination and Possibility, Lille3000, Lille, France.

Accrochage, Michael Fuchs Galerie, Berlin, Germany.
Dutch Masters, Mrs., New York, NY, USA.
Grand Reverse, Tommy Simoens, Antwerp, Belgium.
Nacido en casa. Devenires y Porvenires del Oficio de la Tapicería alto liso en Jalisco, 1968 - 2018, Museo Amparo, Puebla, Mexico.
Sabre Acomodar: Art and Workshops of Jalisco 1915–Now, ASU Art Museum, Tempe, Arizona, USA.
The US-Mexico Border: Place, Imagination, and Possibility, 516 ARTS, Albuquerque, New Mexico, USA.

Chingaderas Sofisticadas, Kohn Gallery, Los Angeles, California, USA.
Kitchen Debate, Rawson Projects, New York City, NY, USA.
Kitchen Debate, Regina Rex, New York City, NY, USA.
Sabre Acomodar, Artland Workshops of Jalisco 1915 - Now, MCA Denver, Colorado, USA.
The U.S - Mexico Border: Place, Imagination, and Possibility, Craft & Folk Art Museum, Los Angeles, CA., USA.
Vecinos, Cult - Aimee Friberg Exhibitions, San Francisco, California, USA.

Exhibitions are the best excuses, curated by Christian Jankowski, Michael Fuchs Gallery, Berlin, Germany.
New Territories, The Albuquerque Museum, Albuquerque Museum, Albuquerque, NM, USA.
The Natural Order of Things, Museo Jumex, Mexico City, Mexico.

Campeonato en Guadalajara 2015, Travesía Cuatro, Guadalajara, Zapopan, Jalisco, Mexico.
Collateral Points, Arquipélago Contemporary Art Collection, a Selection – Arquipélago Centro de Artes Contemporâneas, São Miguel, Açores, Portugal.
Out of the Labyrinth: Contemporary Mexican Ceramics, Northern Clay Center, Minneapolis, Minnesota, USA.

New Territories, Museum of Arts and Design, New York City, NY, USA.
Testigo del Siglo, Museo de Arte de Zapopan, Zapopan, Mexico.
The International Biennial of Contemporary Art of Cartagena de Indias, Cartagena de Indias, Colombia.

New Blue and White, Museum of Fine Art Boston, MA, USA.
Turn Off the Sun: Selections from La Colección Jumex, Arizona State Art Museum, Tempe, Arizona, USA.

Snake Skin Boots, Art Public, Art Basel Miami Beach, Miami, USA.
Asiataco, Tanya Leighton, Berlin, Germany.
joségarcía ,mx.
Ball of Artists, In collaboration with LAX ART. Los Angeles, USA.

Fuerzas básicas, formas del dibujo reciente en Jalisco, Museo de la Ciudad de México, Ciudad de México y Guadalajara, México.
MAKE Skateboards, organised by Jonathan Lavoie and Scott Ogden, I-20 Gallery, New York, USA.
Everything Must Go, a project with Ceramica Suro, Guadalajara, Mexico. Organised by José Noé Suro and Eduardo Sarabia, Casey Kaplan Gallery, New York.
No More Reality, organised by Textfield, Inc., Creatures of Comfort, New York, USA.
Greater LA, organised by Eleanor Cayre, Benjamin Godsill, and Joel Mesler, 483 Broadway, New York, USA.

A.D.D. Attention Deficit Disorder, curated by Benjamin Godsill, Centro d’Arte Contemporanea Palazzo Lucarini Contemporary, Trevi, Italy.
Arena Mexico, Pinta London, London, UK.

Art Nova, Art Basel Miami Beach, Miami Beach, Florida, USA.
MAX ART FEST, Zagreb, Croatia.
There Are False Problems More Than There Are False Solutions, curated by Victor Zamudio-Taylor, La Galería en el Taller Mecánico, Monterrey. Organized in conjunction with Proyectos Monclova, Mexico.
An Expanded Field of Possibilities, Santa Barbara Contemporary Art Forum, Santa Barbara, USA.
NCA Selection, NCA/Nichido Contemporary Art, Tokyo, Japan.

Anthology, Otero Plassart, Los Angeles, USA.
Firulais, Museo de la Ciudad, Guadalajara, Mexico.
Extended Borders: Shifting Cartographies, Puerto Vallarta Arte Contemporáneo, Puerto Vallarta, Mexico.
VOLTA4, Art 39 Basel, Edition presented by Voges + Partner Galerie, Basel, Switzerland.
2008 Whitney Biennial, Whitney Museum of American Art, New York, USA.
Phantom Sightings, Los Angeles County Museum of Art, California (also in Tamayo Museum of Contemporary Art, Mexico City, Mexico, Fall 2008; Museo de Arte Contemporáneo, MARCO, Mexico, Spring 2009; Contemporary Arts Museum Houston, Texas, Summer/Fall 2009;
Cultural Universitario, Guadalajara, Mexico, Fall 2009/Winter 2010; El Museo del Barrio and The
Americas Society, New York, New York, Spring 2010.)
United nations plaza mexico DF, Casa Refugio, Mexico City, Mexico.

PAWNSHOP, e-flux, New York, USA.
Big Family Business, in conjunction with the 10th Istanbul Biennial, Aitken Factory, IMC trade center, Istanbul, Turkey.
An Atlas of Events, curated by Cebra Singer, Fundação Calouste Gulbenkian, Lisbon, Portugal.
Trinchera, curated by Emmanuel Tovar, Museo Raúl Anguiano, Guadalajara, Mexico.
Rogue Wave ’07, LA Louver, Los Angeles, USA.
2nd Moscow Biennale, Moscow, Russia.

Mobile: Suro Collection, TPS [Triangle Project Space], San Antonio, Texas Masters & Johnson, (curated by Maria Jose Lopez), Charro Negro, Zapopan, Mexico.
joségarcía ,mx.
Great American Nude, (organized by Matt Wardell and Harvey Levine) Harvey Levine Gallery, Culver City, California, USA.
Some Postcards from Mexico, (curated by Carlos Ashida) Museo de Arte Contemporáneo de Santiago, Chile.
…un minuto por favor, (curated by Lorena Peña and Rubén Méndez), La Casa Taller José Clemente Orozco, Guadalajara, Mexico.
Presente Perfecto/Present Perfect (curated by Juan Puntes) Volitant Gallery, Austin, USA.
Body and Geography, (curated by Jeanette Zwingenberger) Musee des Beaux-Arts, Lille, France.

Poles Apart Poles Together. (Curated by Juan Puntes and Doron Polak), 51st Venice Biennale, Venice, Italy.
4 Dimensional Shit, Bowie Van Valen, Los Angeles, USA.
Air Container, Museo Raul Anguiano (Antiguo Museo de Arte Moderno), Guadalajara, Mexico.
Having Differences (curated by Kevin Hanley, Steve Hanson, and Paul Judelson), I-20 Gallery, New York, USA.
Working on Paper: From Drawings to Ammo, Bank, Los Angeles, USA.

Democracy was fun (Curated by Juan Puntes and Raul Zamudio) White Box, New York, USA.
Incognito (Curated by Elsa Longhauser), Santa Monica Museum of Art, Santa Monica, USA.
OIL, Triangle Project Space, San Antonio, USA.
Narcochic Narcochoc, Musee International des Arts Modestes, Paris, France.
La relatividad del tiempo y los distintos sistemas de referencia, (Curated by Patrick Charpenel) Oficina para Proyectos d’Arte (OPA), Guadalajara, Mexico.

Art Basel Miami Beach (I-20), Miami, USA.
Tekhne: Ancestral Techniques and Contemporary Practices in the SURO workshop of Tlaquepaque, curated by Patrick Charpenel, The Buena Vista Building, Miami Design Center, Miami, USA.
Prague Biennial 1. Curated by Helena Kontova, Prague, Czech Republic.
Harlem Postcards II, (Curated by Christine Y . Kim). The Studio Museum in Harlem, New York, USA.
Works for Giovanni, China Art Objects, Los Angeles, USA.
Liz Craft, Pentti Monkkonen, Eduardo Sarabia and Eric Wesley, Oficina para Proyectos d’Arte (OPA), Guadalajara, Mexico. Travels to Program Art Center, Mexico City.
Age of Unreason, MOCADC, Washington DC, USA.

Scope Video Lounge (Curated section), The Scope Fair, Dylan Hotel, New York, USA.
Roots, Pagea Arte Contemporanea, Naples, Italy.
Art Forum Berlin, Berlin, Germany.
Cutting Edge (Curated section), ARCO, Madrid, Spain.
The Armory Show, New York, USA.

I Love New York, I-20 Gallery, New York, USA.
Luminous Wonders of the Electronic World, New Langton Arts, San Francisco, USA.
Liste, Art 32 Basel, Switzerland (China Art Objects).

I Candy, Rosamund Felsen Gallery, Santa Monica, USA (Curated by John Boskovich).
joségarcía ,mx.

Desert X 2021, The Film, Getty Center, Los Angeles, CA, USA.
Desert X 2021, The Film, KCET, Artbound, television screening.
Desert X 2021, The Film, Rancho Mirage Amphitheatre, Rancho Mirage, CA, USA.

Jangueo: Artist Talks on Home, Eduardo Sarabia; Esteban Ramón Pérez, The Mistake Room, Los Angeles, CA, USA (Online)

Couch. Coffee. Culture., Eduardo Sarabia; ASU Art Museum Curator, Julio César Morales (Online)

Eduardo Sarabia, Centro de Arte Contemporáneo de Málaga, Malaga, Spain

El Toro y Otros Relatos, Museo Universitario del Chopo, Mexico City, Mexico.

Eduardo Sarabia, Instituto Cultural Cabañas, Guadalajara, Mexico; Museo de Arte Contemporáneo Oaxaca, Mexico, 2014.

The Gift: 1-866-865-0879, Ed. Garcia Ponce, Alexandra Garcia; Vidokle, Anton, Whitney Biennial, Whitney Museum of American Art, Turner, Spain; Unam, Mexico, 1 June 2008.

Eduardo Sarabia, Relación de un Interés 2003, Cont. Ciara Ennis; Christine Y. Kim, I-20 Gallery, New York, USA, 2004.

Loaded: Guns in Contemporary Art, Ed. Ramljak, Suzanne, Schiffer Publishing, Pennsylvania, USA, 11 January 2022.

History of the World, Eduardo Sarabia, Cont. Godsill, Benjamin; Charpenel, Patrick, Other Criteria Limited, 1 July 2012.

Cornell, Lauren, Massimilliano Gioni and Laura Hoptman, ed. Younger Than Jesus Artist Directory
New York: New Museum & Phaidon Press, 2009
Best of New York Art 2009, with text by Xavier Tresaco. Page 266, Theredoom Publications. New
York, New York, 2009
An Expanded Field of Possibilities, essay by Miki Garcia, Santa Barbara Contemporary Arts Forum 2009

Phantom Sightings: Art After the Chicano Movement, Rita Gonzalez, Howard Fox, Chon A. Noriega
University of California Press: Los Angeles, 2008
Whitney Biennial 2008, written by Henriette Huldisch and Shamim M. Momin, Yale University
Press, New Haven, CT, 2008

We Are Your Future: Special Project, 2nd Moscow Bienniale, Moscow, 2007

Presente Perfecto/Perfect Present, essay by Raúl Zamudio, Volitant Gallery, Texas, 2006
Family Stories: Ten stories written and illustrated by ten artists Lectura Books, California, 2006

Art Basel Miami Beach. Basel, Switzerland: Messe Basel, 2005
Gone Fishing (in progress), with Gonzalo Lebrija, 2005
51st Venice Biennale, Venice, Italy, 2005
Poles Apart Poles Together. Text by Juna Puntes and Doron Polak, 2005
Narcochic Narcochoc, Musee International des Arts Modestes, Paris, France Prague Biennial 1

Prague, Czech Republic, 2003
joségarcía ,mx

Salvadó, Arnau, Eduardo Sarabia: Four Minutes of Darkness. A Total Eclipse of the Art, metalmagazine.eu, 8 April 2024
Ghassemitari, Shawn, Eduardo Sarabia Ruminates on the Forthcoming Solar Eclipse in New Solo Exhibition, hypebeast.com, 26 March 2024
Sinelnikova, Julia, A Week In Mexico City’s Art Scene, whitehotmagazine.com, 18 March 2024
Rabb, Maxwell, 12 Must-See Shows during Mexico City Art Week, artsy.net, 6 February 2024
Lobato, Emiliano, Eduardo Sarabia, Caras (México), 1 February 2024, p.20
YJ Zheng, Elaine, 5 Must-See Exhibitions During Mexico City Art Week 2024, ocula.com, 31 January 2024

Moya Ford, Lauren, The Many Faces of Guadalajara’s Famed Ceramics Studio, hyperallergic.com, 8 November 2023
–––, Afternoon Briefing, Daily Newsletter, artnet.com, 26 September 2023
–––, Morning News, Daily Newsletter, artnet.com, 26 September 2023
PC Studios, Just In Time For The Holidays, Clase Azul Releases A New Collaboration Tequila With A Mexican Artist, papercitymag.com, 12 August 2023
Smart, Lauren, The Contemporary Showcases the International Impact of a Mexican Ceramics Factory, dmagazine.com, 6 April 2023
Durón, Maximilíano, Taipei Dangdai Fair Names 90 Exhibitors for 2023 Edition, artnews.com, 9 March 2023

–––, Miami Design District x Art Week 2022, the360mag.com, 12 November 2022
Brinkman, Lillie-Beth, On the Town: Exhibit reflects Guadalajara, Oklahoma City connection, journalrecord.com, 30 September 2022
–––, Exhibit At Oklahoma Contemporary Shows Parallels Between Guadalajara, OKC, okcfriday.com, 2 September 2022
McDonnell, Brandy, A crane, a classic car and a pool: Mexican artist parks sculpture on OKC's Automobile Alley, eu.oklahoman.com, 4 August 2022
Shabinsky, Alexa, The Office Teams Up With Renowned Memphis Milano On New Exhibition, oceandrive.com, 8 April 2022
Moffitt, Evan, What to Make of Mexico City’s New Art House on a Lake?, frieze.com, 10 February 2022

Blueskye, Brian, Desert X documentary pulls the curtain back on 2021 exhibition, eu.desertsun.com, 20 October 2021.
Blueskye, Brian, Desert X 2021 has announced its participating artists. These are the upcoming works, eu.desertsun.com, 17 February 2021.
Blueskye, Brian, Ready to see all of the Desert X 2021 art installations? Here’s a map, eu.desertsun.com, 13 March 2021.
Cheng, Scarlett, Smoke sculptures, word gardens and a ‘jackrabbit homestead’: Desert X announces artist projects for third edition, theartnewspaper.com, 17 February 2021.
Corcoran, Cate, Bed Stuy Co-Living Debuts With Fun Furnished Digs Starting at $1,270 a Month, brownstoner.com, 13 December 2021.
Falco Raez, Constanza, Desert X 2021 | Third Edition, flaunt.com, 12 March 2021.
Fazzare, Elizabeth, Cultured Collections with Matthew Chevallard, culturedmag.com, 19 November 2021.
Finkel, Jori, Desert X Artists Dig Beneath the Sandy Surface, nytimes.com, 12 March 2021.
Good, Rana, Desert X 2021: What To See And Where To Stay, forbes.com, 29 April 2021.
Greenstein, Jane, Desert X, an outdoor art festival shaped by COVID, kicks off Friday, March 12, pe.com, 11 March 2021.
Japhe, Brad, Tequila And Art Converge at Frieze New York, forbes.com, 3 May 2021.
Lang, Derrik J., Wide Open Spaces, palmspringslife.com, 30 March 2021.
Les mes Mexicanes, Vogue Paris, No. 1061, April 2021, p. 159.
Martin, Brittany, Desert X Announces the Artists Bringing Outdoor Installations to the Coachella Valley, lamag.com, 9 March 2021.
Martinez, Taylor, Artists Announced For 2021 Desert X Art Exhibit, nbcpalmsprings.com, 17 February 2021.
Mastrandrea, Paige, Meet The Next Generation of Miami’s Art Innovators, oceandrive.com, 2 December 2021.
Paik, Sherry, DESERT X 2021 to Feature Judy Chicago and Felipe Baeza, ocula.com, 17 February 2021.
Payne, Nico, Local Leaders Visit Desert X Installations, nbcpalmsprings.com, 14 March 2021.
Powers, Jim, Navigating Desert X, palmspringslife.com, 12 March 2021.
Rodorigo, Clara, 13 installations in the Coachella Valley desert, domusweb.it, 15 March 2021.
Rodriguez, Amelia, May 2021: 20 Things to Do Right Now, palmspringslife.com, 22 April 2021.
Sarabia, Eduardo, Anan, Orly, ‘It’s a Feeling of Infinite Possibilities’: Artists Orly Anan and Eduardo Sarabia on What Drew Them to Mexico’s Creative Scene, and Why They Stayed, news.artnet.com, 29 November 2021.
Taylor, Elizabeth, Frieze New York Comback Celebrates Maestro Dobel Tequila, t2conline.com, 4 May 2021.
Walker, Rohini, A Maze in the Desert Depicts the Risky, Uncertain Reality for Immigrants, kcet.org, 27 April 2021.
Wooldridge, Jane, These must-see shows and events should be on your Miami Art Week list, miamiherald.com, 25 November 2021.
Yusuf, Muhammad, Desert X show on carpet of sands, under canopy of stars, gulftoday.ae, 11 March 2021.
–––, Artists Announced For 2021 Desert X Art Exhibit, nbcpalmsprings.com, 17 February 2021.
–––, Casa Dragones Announces First Major Art Fair Partnership With Art Basel For Its Miami Beach Edition, prnewswire.com, 3 December 2021.
–––, Desert’s 13, palmspringslife.com, 17 February 2021.
–––, Desert X Goes Big Again, palmspringslife.com, 4 October 2021.
–––, Desert X 2021 Artists Revealed, coachellavalley.com, February 2021.
–––, Desert X 2021 returns to california’s coachella valley with themes of social justice, designboom.com, 12 March 2021.
–––, Destination Travel Guide to California’s High Desert, magneticmag.com, 16 February 2021.
–––, Looking for Art to See While Social Distancing? Here Are 5 Memorable Works at The Latest Edition of Desert X, news.artnet.com, 27 April 2021.
–––, Maestro Dobel Tequila and Artnet Bring the Spirit of Mexico to Miami Art Week, in Continued Support of Oaxaca’s Pocoapoco Residency, news.artnet.com, 22 November 2021.
–––, Vast ‘Indian Land’ sign draws visitors to Desert X art festival, france24.com, 12 March 2021.
–––, desert X 2021 returns to california’s coachella valley with themes of social justice, designboom.com, 12 March 2021.
–––, Looking for Art to See While Social Distancing? Here Are 5 Memorable Works at The Latest Edition of Desert X, news.artnet.com, 27 April 2021.
–––, See Photos From Artnet and Maestro Dobel Tequila’s Miami Art Week Event Celebrating Mexico’s Contemporary Art and Design Community, news.artnet.com, 13 December 2021.
–––, Vast ‘Indian Land’ sign draws visitors to Desert X art festival, france24.com, 12 March 2021.

Mitchell, Rory, Maureen Paley: A Trailblazing Gallerist, ocula.com, 19 June 2020.
–––, MAD BALL 2020 Honoring Judy Chicago to Feature Mx Justin Vivian Bond and Rosanne Cash, broadwayworld.com, 30 September 2020.

Benson, Lousie, Porn in Plain Sight? The Subversive Tactics of Inappropriate Ceramics, elephant.art, 9 Jan 2019.
Cascone, Sarah, You Don’t Have to Go Where Everyone Else Is Going: How the Cultivist’s Joey Lico Spends Her Art-Filled Summers, artnet.com, 12 August 2019.
Cervantes, Rodrigo, In Mexico City, Migration Turns Into Art, fronterasdesk.org, 25 September 2019.
Glassman-Hughes, Emma, Capturing Guadalajara’s Artistic Influence, heremagazine.com, February 2019.
Glassman-Hughes, Emma, Why Guadalajara Is Mexico’s New Cultural Hotspot, heremagazine.com, February 2019.
Glassman-Hughes, Emma, 6 Artists You Need To Know In Guadalajara, Mexico’s Up-and-Coming Creative Capital, Here Magazine, 29 April 2019.
Gonzalez, Daniel, Revitalizar el Pasado, Vogue México, May 2019, pp.116-117
Loiseau, Benoît, La generación de creativos mexicanos que está cautivando al mundo, vogue.mx, 2 April 2019.
Neilson, Laura, 9 Contemporary Artists Set to Have a Buzzy 2019, wsj.com, 31 January 2019.

Horst, Aaron, Eduardo Sarabia at The Mistake Room, contemporaryartreview.la, 7 February 2018.
Loiseau, Benoît, The Sculptor Turning Treasure Hunts Into Art, nytimes.com, 30 August 2018.
Loiseau, Benoît, From Painting To Making Mezcal, The New York Times, 2 September 2018.
Martinovic, Jelena, Eduardo Sarabia: Visual Narratives of Mexican Border Culture, prohbtd.com, 14 December 2018.

Diehl, Travis, Pacific Standard Time: Imports and Exports, Frieze, September 2017, pp.126-128 (Spread, Cover Feature).
Dyson, Casey, The Mistake Room | Sarabia's Divide, artblitzla.com, 14 October 2017.
Mizota, Sharon, Review: Eduardo Sarabia’s dream world in L.A., by way of Guadalajara, latimes.com, 14 November 2017.
Osberg, Annabel, Narcoculture's Intertwined Beauty and Horror: Eduardo Sarabia's "Drifting on a Dream" at The Mistake Room, Los Angeles, aeqai.com, 29 October 2017.
Rea, Naomi; Pes, Javier, More Than an Alternative Art Fair, Condo Wants to Revive Gallery-Going Worldwide. Is It Working? artnet.com, 15 February 2017.
Stuart, Gwynedd, Your Guide to SoCal's Biggest-Ever Latinx and Latin American Art Event (Part 1), laweekly.com, 15 September 2017.
–––, Field Notes: Pacific Standard Time LA/LA, phillips.com, 28 September 2017.

Ortega, Sandrine, Del queatzal a lo ilegal, gatopardo.com

Mallonee, Laura, Making Art from Narco Culture, hyperallergic.com, 24 July 2014.
Vanesian, Kathleen, Eduardo Sarabia's "Moctezuma's Revenge" Packs a Punch at Tempe's ASU Art Museum, phoenixnewtimes.com, 18 March 2014.

–––, Art Public, The Art Newspaper Art Basel Miami Beach Daily Edition, 30 November, 2011
Cotter, Holland. Everything Must Go, New York Times, 15 July, 2011

Johnson, Ken. They’re Chicanos and Artists, But Is Their Art Chicano?, Phantom Sightings, El Museo del
Barrio, New York Times, 10 April
Robinson, Walter. The Chicano Avant-Garde, Artnet.com, 25 April
Art of the Chicano Movement Opens at the Museo del Barrio. Artdaily.org, 24 March.

Berardini, Andrew. Mas que nada, Artforum.com: Scene & Herd 7 December 2009.
Madoff, Steven Henry. Mirror of the Mass. Tate Etc., Issue 17, Autumn 2009, pp. 44-7.
Yablonsky, Linda. The Parallax Flu. Artforum.com, 30 April 2009.
Gibson, Allison. An Expanded Field of Possibilities, Daily Serving.com, 12 March 2009.
Art LA: An Evolution, Santa Monica Mirror, vol. 10, issue 32, Jan 29 – Feb 4 2009.

Slant: Service Aesthetics. Steven Henry Madoff on Personal Transactions in Art. Artforum, September 2008, pp 165-169
Grosz, David, Eduardo Sarabia in Los Angeles, Artinfo.com, 31 July 2008.
Goldberg, Rose Lee, Performance Anxiety: Political currents at the Whitney Biennial, Modern Painters, May 2008, pp 41-45.
Purves, Miranda. Art Bar Star, ELLE, April 2008, p. 292.
Lacayo, Richard, The Simple Life, TIME Magazine, 24 March 2008, pp. 71 – 74.
Berwick, Carly. The Facebook Biennial, New York Magazine, 10 March 2008, p. 139.
Del Signore, John. 2008 Whitney Biennial Open for Business, Bitching, The Gothamist, 6 March 2008.
Lacayo, Richard, A Talk With: The Curators of the Whitney Biennial, Time Magazine Online, 6 March 2008.
Sheldon, Blythe, The Whitney Biennial: Behind Eduardo Sarabia’s Tequila Bar, New York Magazine
Online, 5 March 2008.
Kunitz, Daniel, Helping the Museum Expand the 2008 Biennial, The Village Voice, 4 March 2008.
Finch, Charlie, Biennial For One, artnet.com, 4 March 2008.
Cotter, Holland, Art as Economic Indicator, New York Times, 2 March 2008, Fine Arts: E31.
Vogel, Carol, A Biennial Bustin’ Out of the Whitney, NY Times, 29 February 2008: Weekend
Arts/Fine Arts, E31.
Taylor, Kate, Contemporary Art and Animal Heads. New York Sun, 28 February, 2008: Arts &
Letters, 18.

Genocchio, Benjamin, Fresh Eyes on a Colourful Movement, NY Times, 9 December 2007.
Ollman, Leah, Rogue Wave ’07 takes a fresh turn, Los Angeles Times, 6 July 2007.
Modern Art with a Tryst, Gotham, March 2007, 228.
Timlir, Jan, Sci-Fi Historicism: part 3 – character animation in contemporary Los Angeles art, Flash Art, vol.
40, no. 255, Jul – Sept 2007: 120-4. 2006
Word of Mouth: Art Basel Miami Beach (Your essential guide to the art event of the year), Condé Nast
Traveller, December, 2006, 48.
Sarabia, Eduardo, Salon Aleman: Homemade Tequila Bar in Berlin, Textfield V, Fall/Winter, 2006, cover,
118.
Heartney, Eleanor, Eduardo Sarabia at I-20, Art in America, October 2006, 191
Katikaneni, Bhargav. Contemporary art gallery ‘takes flight’ in downtown Austin, Daily Texan (University
of Texas), 15 April 2006.
The Next Best: Off to a ‘Perfect’ start, Austin American Statesman, 14 April 2006.
Staff. Art Happens: The NYC scene isn't dead after all, men.style.com: The online home of DETAILS &
GQ (April 28, 2006)
Davies, Colin and Monika Parrinder, Aesthetics of Violence, International Design, May 2006, 92-99
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Zamudio, Raul. Art Basel Miami Beach 2005, Art Nexus, March – May, 2006, 110-113.
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