5 April – 7 June 2026

Vleeshal Center for Contemporary Art
Markt 1
4331 LJ Middelburg
The Netherlands

More information

An Impossible Sound is conceived as the third installment of pink & green, a long-term project by Rory Pilgrim that will culminate in his forthcoming first feature film of the same title. Presented at Vleeshal, the exhibition unfolds with a new, immersive environment that foregrounds the choices faced by young people growing up in regional areas.

The guest curator of this exhibition is Martha Jager.

image: Polaroid courtesy of Rory Pilgrim

3 April 2026 at 6pm

Print Center New York
535 West 24th Street, New York, NY
10011 United States

More information

To celebrate the launch of the publication for Felipe Baeza: Anima, the Print Center New York are hosting an evening conversation with Felipe Baeza and Leslie Martinez, moderated by Barbara Calderón. The artists will discuss their longtime friendship as well as the material affinities behind their respective practices.

Felipe Baeza: Anima is a bilingual, illustrated catalog featuring original essays by exhibition curators Jenn Bratovich and Alex Santana, and guest essayist Donna Honarpisheh, that critically and thematically contextualize Baeza’s practice.

6–7PM: Artist Talk

7–9PM: Catalog Launch Party w/ DJ set by BLKshine (Darryl DeAngelo Terrell)

This event is sponsored by Zomoz Mezcal

image: Felipe Baeza, Our Shadows Merging, 2023. Ink, acrylic, cut paper, graphite and varnish on panel, 16 x 12 in © Felipe Baeza.

“I want to be remembered as I was. I’m going to join all our friends.” – Agosto Machado

Together with Gordon Robichaux we share news of the passing of cultural luminary Agosto Machado, who died peacefully on 21 March following a brief illness.

A singular figure, Machado was a Chinese-Spanish-Filipino-American self-taught performance and visual artist, activist, archivist, muse, caretaker, and friend to countless celebrated and underground visual and performing artists.

The New York Times, Agosto Machado Is Dead; Artist Memorialized New York’s Avant-Garde, 31 March 2026

Artforum, Agosto Machado, Whose Shrines Immortalized a Lost NYC Underground, Is Dead, 30 March 2026

Frieze, Agosto Machado, Downtown Performer, Artist-Archivist and Activist, Has Died, 23 March 2026

ARTnews, Agosto Machado, Artist and Activist Whose Shrine Sculptures Kept Queer History Alive, Has Died, 22 March 2026

Ocula, Agosto Machado, Chinese-Spanish-Filipino-American Artist, Has Died, 23 March 2026

Artlyst, Agosto Machado: New York Performance, Visual Artist And Activist Dies, 22 March 2026

image: Peter Hujar ‘Agosto Machado’ 1980
©The Peter Hujar Archive/Artists Rights Society NY

19 March - 28 June 2026

Gropius Bau
Niederkirchnerstraße 7
10963 Berlin

More information

Bringing together the works of Peter Hujar and Liz Deschenes, Persistence of Vision opens an intergenerational dialogue on photography. In the exhibition, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes. As the first major exhibition of both Hujar’s and Deschenes’ work in Berlin, Persistence of Vision proposes an expansive understanding of photography and highlights the uncompromising clarity of vision that defines both artists’ practices.

image: Peter Hujar, David Wojnarowicz (Hand Touching Eye), 1981 © The Peter Hujar Archive / VG Bild-Kunst, Bonn, 2026.

26 February – 1 March 2026

Stand B15

More information

Request a preview

Santa Monica Airport
3027 Airport Avenue
Santa Monica
90405

Open by invitation only:

Thursday 26 February: 10am – 7pm
Friday 27 February: 11am – 1pm

Open to the public:

Friday 27 February: 1pm – 7pm
Saturday 28 February: 11am – 7pm
Sunday 1 March: 11am – 6pm

image: Wolfgang Tillmans, Time Flows All Over 8, 2025

Frieze, First Look at Frieze Los Angeles 2026

Frieze, Los Angeles According to: Maureen Paley

26 February - 23 August 2026

Bundeskunsthalle
Helmut-Kohl-Allee 4
53113 Bonn,
Deutschland

More information

Following its highly acclaimed run at Raven Row, London, the exhibition travels to the Bundeskunsthalle in Bonn and opens this Friday.

Photographer Peter Hujar (1934–1987) was a central figure in the New York downtown scene of the 1970s and 1980s.

The exhibition focuses on Hujar's work since the 1970s and reflects his exploration of the possibilities of relationships within rigid frameworks. It was curated by Hujar's biographer John Douglas Millar and his friend Gary Schneider, in close collaboration with the photographer's estate.

When Hujar died of AIDS-related pneumonia, his work was largely unknown. Today, however, Peter Hujar is considered one of the most important photographers of the second half of the 20th century.

image: Peter Hujar, Self-Portrait (II), 1975 © The Peter Hujar Archive / VG Bild-Kunst, Bonn, 2026, Courtesy of The Peter Hujar Archive / ARS, New York, Fraenkel Gallery, Ortuzar Projects, Maureen Paley, and Mai36.

11 February – 11 May 2026

7-22-2 Roppongi
Minato-ku
106-8558
Tokyo
Japan

More information

This exhibition explores the dynamic evolution of British art from the late 1980s to the early 2000s. Many of the newer generation of artists who came to prominence in the 1990s were referred to in the art and popular media under the title Young British Artists (YBAs). Alongside other artists active at the time, these artists explored themes such as popular culture, personal identity, and shifting social structures. Featuring around 100 works by approximately 60 artists, the exhibition traces the radical creativity and groundbreaking approaches that redefined British art in the 1990s.

image: Wolfgang Tillmans, The Cock (kiss), 2022, chromogenic print 
and Gillian Wearing, Dancing in Peckham, 1994, colour video with sound, 25 minutes

Curated by Julian Duft

Opening Sunday 8 February 12pm - 5pm

6 February – 16 August 2026

Skulpturenhalle
Lindenweg
41472
Neuss
Germany

More information

Jane and Louise Wilson have been defining video art as spatial installation since the 1990s. They explore and transform the macro- and microstructures – from architecture to cellular tissue – to offer novel spatial experiences. With the exhibition at the Skulpturenhalle, the moving image takes centre stage for the first time as a sculptural medium.

Their first exhibition in Germany in twenty years takes the Skulpturenhalle – situated on a former NATO and U.S. missile base, now surrounded by fields – as its point of departure. Key video installations from the early 2000s and architectural photographs are shown alongside the most recent body of work, developed since 2018 in Korea and Japan, which also addresses natural structures. The exhibition traces the interrelations between space, body, perception, and power; its works cast light on contemporary technological and geopolitical issues.